The film opened on December 22, 2010, in South Korea and was top of the box office, selling 1.05 million tickets in its first five days of release, according to the Korean Film Council. The film sold a total of 2,142,742 tickets nationwide. The film received positive critical reviews. The
review aggregator website
Rotten Tomatoes reported that 88% of 25 critics have given the film a positive reviews. On review aggregator website
Metacritic, the film has a weighted average score of 70 out of 100 based on 19 critics, indicating "generally positive reviews". Mark Olsen of
The Los Angeles Times wrote "A breakneck mix of bone-crunching freneticism and bloody close-quarters knife-fighting with a strand of romantic melancholy".
The New York Times's Manohla Dargis wrote "A rush of a movie from South Korea that slips and slides from horror to humor on rivers of blood and offers the haunting image of a man, primitive incarnate, beating other men with an enormous, gnawed-over meat bone."
The Hollywood Reporter's Maggie Lee stated "The raging stamina, unrelenting violence, rapid-fire editing and truncated narrative all give one no pause for thought or even breath. By the time the central mystery is revealed in a nice twist, it gets swallowed in the messy, anti-climactic end." Peter Bradshaw of
The Guardian added "This noirish South Korean gangster film is a deafening explosion of energy, gruesome violence and chaos that, despite its implausibilities, has brashness and style... Perhaps The Yellow Sea does not really hang together, and, yes, it could perhaps have lost 30 minutes. But its power and bite-strength are impressive." Philip Kemp of
GamesRadar+ gave the film two stars out of five, stating "At nearly two and a half hours long, The Yellow Sea is overkill in every sense." Michael Atkinson of
The Village Voice mentioned "If anything, Na's film is too much of a good thing, exceeding credibility too often (the punching-bag hero is far too lucky - good and bad - and absorbs a hilarious amount of punishment) in its pursuit of despairing violence. But that's the Korean way, and Na nails down the bottom feeder realism while slouching toward video-game hyperbole". == Awards and nominations ==