Born in
Dinan, Botrel was the son of a blacksmith. He was left with his grandmother in
Saint-Méen-le-Grand as a child, since his parents had moved to Paris. He joined them in the capital at the age of seven. His native language was the
Gallo dialect, though almost all his songs are in standard French, and he learned the
Breton language later in life. As a teenager he became involved in amateur theatricals, performing on stage in plays, and writing songs. His first published song
Le Petit Biniou (The Little Bagpipe) was not a success. Botrel shelved his theatrical ambitions, joining the army for five years and then working as a clerk for the
Paris-Lyon-Marseille railway company. He continued to appear on stage and to write and perform songs. In 1891 he met and married singer Hélène Lugton, known as Léna.
La Paimpolaise One evening in 1895, standing in for another act, he performed his song
La Paimpolaise (The Paimpol Girl) to great acclaim from the audience, launching himself as a popular singer.
La Paimpolaise became his signature song – a lilting ballad about a Breton sailor fishing in Iceland lamenting his separation from the fishing village of
Paimpol and especially a Paimpolese girl (la Paimpolaise). The song ends tragically with his death at sea, her being his final thought. Botrel only visited Paimpol in 1897, after he wrote the song. The song's refrain, ''"J'aime Paimpol et sa falaise"
("I love Paimpol and its cliff"''), was apparently chosen because 'falaise' rhymes with 'Paimpolaise'. It has often been noted that there is no cliff in the town. Nevertheless the nearby Pointe de Guiben has been marketed as the cliff described in the song. The choice of Paimpol probably derived from the popularity of
Pierre Loti's recent novel ''
Pêcheur d'Islande'', which is set in the town. The song was a central feature of the repertoire of
Félix Mayol until his death in 1941. Mayol also showcased many of Botrel's later songs. The book was highly praised and was awarded a prize by the
Académie française.
Edmond Rostand wrote, "Botrel's adorable verses make the broom-flowers sprout when one sings them".
François Coppée said "While I read Botrel's verses...I compare myself to a sick man dragging his walking stick along the suburb of a city and stopping now and then to listen to the young voices of the children singing. Ah, Botrel's voice is high and true and clear!." Botrel was politically conservative, a Royalist and a devout Roman Catholic. Many of his later songs celebrated these values, and appealed to popular patriotism. The song
Le Mouchoir rouge de Cholet (The Red Handkerchief of
Cholet) is about a soldier in the
Chouannerie, the Royalist Catholic rebellion against the French Revolution, who buys the handkerchief for his girl. It inspired a local manufacturer to create red Cholet handkerchiefs, the popularity of which boosted the local textile industry.
World War I and after Botrel was an enthusiastic supporter of the French cause in
World War I. Turned down for service in the French army because of his age, he attempted to enlist with Belgian forces, but was again rejected. He decided to work for the war effort by writing and performing patriotic songs. He had already published a collection of military songs before the war in 1912 as "Coups de Clairon". A British writer noted "It is a noble work, and one cannot think of another poet, here or in France, so abundantly equipped for its performance. Botrel has no counterpart in Britain, so it were vain to seek comparisons." After his rejection for military service Botrel started a monthly publication entitled
Les chants du Bivouac containing songs for the soldiers. In 1915 he was appointed as official "Chansonnier des Armées", or "Bard of the Armies". According to the
New York Times he was authorised by the Minister of War "to enter all military depots, camps and hospitals for the purpose of reciting and singing his patriotic poems." Botrel's most famous wartime songs were
Rosalie (the nickname of the French bayonet) and ''Ma P'tite Mimi
(about a machine-gun). The latter was revived by Pierre Desproges in the 1980s. At this time some of his lyrics were translated into English by G.E. Morrison and Edgar Preston as Songs of Brittany''. Botrel's wife Léna died in 1916. In 1918, he remarried, to Marie-Elisabeth "Maïlise" Schreiber. He had two daughters with her, the elder of whom, named Léna after his first wife, married the writer
Emile Danoën. The younger, Janick, was the mother of singer
Renaud Detressan. Botrel died in 1925. His incomplete autobiography, ''souvenirs d'un barde errant'', was published after his death. His daughter Léna later wrote extra chapters to complete the story of his life. A monument to him was erected in Paimpol designed by
Pierre Lenoir. It shows the Paimpolaise gazing out to sea from the imaginary cliff. There is also a statue of him in Pont-Aven. ==Songwriting==