, better known for his later career as CEO of Disney, wrote that "3 was the most emotional number of all" The idea for rock songs of multiplication tables came from advertising executive David McCall, whose 11-year-old son struggled in math: "It seemed strange that he knew the words to every rock song ever written, but didn’t know his multiplication tables" McCall set out to create an album, and worked with one of his agency's creative directors, George Newall, to find songwriters. When initial submissions were too sappy and unpleasantly childish, they commissioned
Bob Dorough, a jazz musician known for clever lyrics and collaborations with creative greats like
Miles Davis,
Allen Ginsberg, and
Lenny Bruce. With little instruction other than to not "write down" to children, Dorough later said: "It took me two weeks to come up with the first one. I did a little studying and looked in a
New Math book. I started gathering all of the threes I could think of:
trinities, three’s a crowd, third time’s the charm…. The whole thing was pretty much off the wall. When I brought 'Three Is a Magic Number' to them, they all jumped up and down and wanted me to write more." McCall's employees Tom Yohe and George Newall described their reaction: "We were completely blown away. Astonished. Astounded. Bob had taken the number three and twisted and turned it so many ways that it had truly been transformed into 'a magic number.'" Tom Yohe, an art director, was so inspired by Dorough's illustrative lyrics that he drew sketches at his kitchen table that eventually became the storybook.
ABC was the largest client of the agency McCaffrey & McCall at the time, and the broadcaster's desire for educational children's programming prompted McCall to launch development of a television show. As a board member of
Bank Street College of Education, McCall used his connections to test the songs on teachers and students in eight schools. Feedback was phenomenal. In the pitch meeting with ABC which "Three is a Magic Number" was played, ABC's vice president of children's programming (and eventual
Disney CEO)
Michael Eisner, bought the program immediately. Prominent
Looney Tunes cartoonist
Chuck Jones attended the meeting with Eisner and expressed similar enthusiasm. In late 1972, a
Multiplication Rock press release said: "Set to lively music and rhyming music, each film focuses on an individual number represented by its unique character. Through identification with each character and by learning the lyrics, the multiplication tables, dates, places and facts will take deeper root in the child’s mind." == Reception ==