Tik-Tok (sometimes spelled TikTok) is a round-bodied mechanical man made of copper, who runs on
clockwork springs which periodically need to be wound, like a
wind-up toy or a
mechanical clock. He has separate windings for thought, action, and speech. Tik-Tok is unable to wind any of them up himself. When his works run down, he becomes frozen or mute. For one memorable moment in
The Road to Oz, he continues to speak but utters
gibberish. When he speaks, only his teeth move. His knees and elbows are described as resembling those in a
knight's
suit of armor. Being a machine, he is quite strong, allowing him to single-handedly overpower a whole horde of Wheelers without much difficulty, as demonstrated in a scene of the 1985 film
Return to Oz. As Baum repeatedly mentions, Tik-Tok is not alive and feels no emotions. He therefore can no more love or be loved than a sewing machine, but as a servant he is utterly truthful and loyal. He describes himself as a "
slave" to Dorothy and defers to her. Tik-Tok was invented by
Smith & Tinker at their workshop in Evna. He was the only model of his kind made before the two disappeared. He was purchased by the king of
Ev,
Evoldo, who gave him the name Tik-Tok because of the sound he made when wound. The cruel king also whipped his mechanical servant, but his whippings caused no pain and merely kept Tik-Tok's round
copper body polished.
Appearances in the works of Baum '', 1914. '', 1914. Tik-Tok first appears in
Ozma of Oz (1907) where
Dorothy Gale discovers him locked up in a cave, wound down and immobile. He becomes Dorothy's servant and protector, and, despite his tendency to run down at crucial moments, helps to subdue the
Nome King. That novel also introduces Tik-Tok's monotonic, halting mode of speech: "Good morn-ing, lit-tle girl." Later Baum published "Tik-Tok and the Nome King", a short tale in his
Little Wizard Stories of Oz series (1914). In this story, Ruggedo the
Nome King, angered by Tik-Tok's calling him a "fat nome", smashes him to pieces.
Kaliko secretly reassembled Tik-Tok, but does not tell his master. Ruggedo then mistook the rebuilt Tik-Tok for a ghost. Ever after, he was colored whitish-grey in color plates, apparently a mistake.
The Tik-Tok Man of Oz was a stage musical loosely adapted from
Ozma of Oz; and the play was adapted back into a novel called
Tik-Tok of Oz, the eighth Land of Oz book, published on June 19, 1914. Although Tik-Tok is a major character in that latter book, he in no way drives the plot. Tik-Tok also appears in most other Oz novels as a notable inhabitant of the
Emerald City, most prominently in
The Scalawagons of Oz, in which he operates the production of the Scalawagons. ==Appearances in adult fiction==