Tilang

• Arohana (ascending scale): • Avarohana (descending scale): This raga has a lowered seventh, () in the descending scale. Its defining characteristics are: , . Some performers add a Re to create the following pattern: . Vādī and Samvādī • Vadi : Ga • Samvadi : Ni == In Carnatic music ==

This raga originated in Hindustani classical music and has been taken into Carnatic music. It is derived from the 28th Melakarta (parent scale) Harikambhoji. • Arohana: • Avarohana: Compositions • Shree Ganesha Charanam by Papanasam Sivan • Ramakrishnaru Manege, Tarakka Bindige and Dasara Nindisa Beda by Purandara Dasa (originally in Saurashtram) • Satyavantara Sangaviralu by Kanaka Dasa • Shanthi Nilava Vendum by Sethumadava Rao • Kannan Kuzhalosai by Ambujam Krishna • Prabho Ganapathe by Agastya • Thamarai Malar Ondru by Kavi Kannan • Raghuvara Manahara by Ganapathi Sachchidananda • Jaya Vara Varini by U Ve Srinivasa Varadachariar • Maha Ganapathim by Dayanand Saraswati • Bandide Indu by KS Burli • Bhaja Bhaja Manasa by Kamalesha Vittaladasa • Maha Ganapathe Namo Namo is a rare Bhajan == Film songs ==

=== Language : Hindi === Tamil === Language : Telugu === == Scale similarities ==

• Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales, while Tilang uses Kaisiki Niṣāda (N2) in descending scale. • Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales, while Tilang uses Kakali Niṣāda (N3) in ascending scale. Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri. == Notes ==