The film holds a rating of 14% on
Rotten Tomatoes based on 29 reviews, indicating an overwhelmingly negative critical response.
Emanuel Levy in
Variety described the film as "a bargain-basement
Ghost, a hybrid of an earnest, inspirational play and a sleek, calculated
Lifetime telepic." In her review for
The New York Times,
Janet Maslin wrote: "It's not easy for the story's tear-jerking potential to be realized when its characters express their pain as if they were writing greeting cards." Rita Kempley of
The Washington Post wrote that "for all the moonlight and magic, the film scares up little in the way of enchantment." Many critics found it difficult to accept the basic premise, that the main character's continued mourning of his deceased wife is so detrimental to those around him.
Roger Ebert, in particular, expressed frustration: "The movie cannot see that Esther is a deranged nuisance who should mind her own business, that David is entitled to his grief, that Rachel is happy living on the island, and that if Gillian appears to David, so much the better." Jack Matthews of the
Los Angeles Times wrote: "Despite its apparent parallels to
Ghost,
Gillian takes an entirely opposite path. Throughout
Ghost, we were made to feel desperate for a reunion of
Patrick Swayze's roaming spirit with a mourning
Demi Moore. In
Gillian, the whole purpose is to get David to give up the ghost."
Mick LaSalle of the
San Francisco Chronicle thought the film lacked dramatic impetus: "the grieving husband never quite seems crazy enough - and the sister is never angry enough...drama is avoided. Issues are muddy. And everyone stays a nice person... In fact, typical of the film's undramatic choices - it's ungenerous unwillingness to commit to the extreme - the husband knows she [Gillian] is an illusion. So he's not crazy. She's not a ghost. And the sister-in-law, far from evil, is merely concerned. So why are we watching these people?" One aspect that garnered unanimous praise was Danes' performance as the troubled daughter. Levy wrote, "Danes proves again that she's one of the most naturally gifted actresses of her generation." Maslin described her as "especially expressive in the film's later scenes, demonstrating a rare ability to seem fresh and honest when her material quite clearly is not." Matthews wrote, "Danes is terrific playing an awkward teenager trying to understand her father's problems while feeling the first stirrings of passion in herself." Kempley wrote of Danes, "the gifted actress steals the show." ==Accolades==