For his final Monument album, Norbert Putman replaced
David Anderle in the production chair, only the third producer to work on Kristofferson’s solo albums since 1970, the other being
Fred Foster. Like
Bob Dylan’s 1975 album
Blood on the Tracks,
To the Bone was a deeply personal album that explored the disillusion and heartache in the wake of a disintegrated relationship – specifically Kristofferson’s failed marriage with ex-wife Coolidge. By all accounts, the ending had been a bitter one;
Heaven’s Gate co-star
Ronnie Hawkins remembers that while on the set "Rita had lawyers up there suing him – so he had to have meetings regarding all that stuff as well as all the other stuff that was going wrong in his life". In his assessment of the album, biographer Stephen Miller writes: Having been disowned by his family when he turned his back on an army career to pursue songwriting in Nashville, Kristofferson was all too aware of the emotional pain that familial turmoil could bring, and he expressed these concerns in "Daddy’s Song", which was about the pain his separation with Rita was causing their daughter Casey. The Billy Swan co-written "Nobody Loves Anybody Anymore", another song expressing bitterness and grief over lost love, would be a modestly successful single. ==Reception==