'' Tobias Verhaecht specialized in landscapes and also produced several versions of the
Tower of Babel. His landscapes followed the traditional style of the world landscape, which had first been developed in the first half of the 16th century by
Joachim Patinir and had reached its peak with
Pieter Bruegel the Elder. The landscapes depict imaginary mountains characterized by rocky peaks seen from a high viewpoint and typically including a religious or mythological scene. His work closely resembles in style the set of 12 large prints published by
Hieronymus Cock after designs by Pieter Bruegel the Elder, which are referred to by art historians as the
Large Landscapes. Verhaecht's landscapes were not entirely oblivious of the work of
Josse de Momper and
Gillis van Coninxloo who were evolving towards a more close-up and realist approach and he adopted some of the elements of the new approach. He collaborated with other local painters such as
Jan Brueghel the Elder,
Frans Francken the Younger,
Sebastian Vrancx and
Gillis Coignet who painted the figures in his paintings. Some of Verhaecht's landscapes were made into prints. ==References==