The works bear an early northern-German influence, and Prelude and Fugue in A minor, BWV 551. Though the specific instrumentation is not given for any of the works, they are all strictly
manualiter, as none of them call for
pedal parts. In fact, the opening
motifs of the BWV 912, 914 and 916 toccatas resemble the ones on the
BWV 532, 534 and 541 organ preludes respectively.
The Seven Toccatas •
Toccata in F-sharp minor, BWV 910 • (Toccata) • [no tempo indication] • Presto e Staccato (Fuga) • [no tempo indication] • (Fuga) •
Toccata in C minor, BWV 911 • (Toccata) • Adagio • (Fuga) • Adagio • (Fuga) • Adagio / Presto •
Toccata in D major, BWV 912 • Presto • Allegro • Adagio • [no tempo indication] • Con Discrezione • Fuga •
Toccata in D minor, BWV 913 • (Toccata) • [no tempo indication] • Presto • Adagio • Allegro •
Toccata in E minor, BWV 914 • (Toccata) • Un Poco Allegro (a 4 voci.) • Adagio • Allegro – Fuga (a 3 voci.) •
Toccata in G minor, BWV 915 • (Toccata) • Adagio • Allegro • Adagio • Fuga •
Toccata in G major, BWV 916 • Presto • Adagio • Allegro (Fuga) ==References==