Yoakam's 1998 release
A Long Way Home was a return to a more country sound, and
Tomorrow’s Sounds Today takes this approach even further; in fact, it is arguably his straightest country studio album since 1988's
Buenos Noches from Lonely Room. Like
A Long Way Home, this LP has a brighter musical atmosphere than the “noirish streak” that ran through previous works like
This Time and
Gone. On the first single “
What Do You Know About Love” the narrator is cautiously optimistic over a new love, admitting “My heart’s so often been wrong,” while on the opener “Love Caught Up with Me,” the narrator surrenders completely with the lines “Baby, I couldn’t hide, no matter how hard I tried…” Pete Anderson's guitar work on “Free to Go” evokes the
Allman Brothers over a
Johnny Cash rhythm as the song ponders the elusive nature of love. Anderson also displays some fine fretwork on the rocking “A Place to Cry,” but for the most part Yoakam and Anderson keep it country, emphasizing Gary Morse's pedal steel and returning to their roots, as if they sensed their partnership was nearing its end. In his
AllMusic review of the album Hal Horowitz writes: Further cementing the full circle vibe are the two duets with
Buck Owens that conclude the album. Yoakam coaxed Owens out of semi-retirement in 1988 and scored his first #1 country hit with their remake of “
Streets of Bakersfield,” and they return to the
Tex-Mex flavour with “Alright, I’m Wrong” (Anderson's only writing credit on a Yoakam LP) and the spirited “I Was There.” Perhaps trying to capture lightning in a bottle after the recent hit with Queen's “Crazy Little Thing Called Love,” Yoakam tried his hand at another 70's rock classic,
Cheap Trick’s “
I Want You to Want Me,” but it was not as successful. ==Reception==