Critical response Together 99 has an approval rating of 71% on
review aggregator website
Rotten Tomatoes, based on 7 reviews, and an average rating of 7/10. Owen Gleiberman of
Variety panned the film, writing that "What’s strange about “Together 99” is that it looks like a Lukas Moodysson film (natural light), it moves like a Lukas Moodysson film (the documentary-like flow), but it’s blanketed with a sodden forlorn Swedish bourgeois cynicism that makes you think Moodysson needs to get out more. In the ’70s, there was an ongoing debate about the
Robert Altman of movies like “
Nashville”: Did he love his characters, or was he looking down his nose at them? As an Altman believer, I never saw the condescension that some did, but I now see it in Lukas Moodysson. It’s not that he dislikes his characters; it’s that he no longer loves them enough to endow them with an inner glow. He has made a movie in the form of an endless cocktail party where no one, for a moment, looks truly happy or free, so the audience can’t even get a contact high." Tim Grierson of
Screen Daily was more positive, writing that "so many sequels stumble in trying to recapture the precise magic of the original, so it is a testament to Moodysson’s imagination and generosity that he convincingly crafts a follow-up which considers how these individuals would have changed over the span of nearly a quarter-century. The idealism of the 1970s has given way to the pre-millennium tension of the late 1990s, and the writer-director reconvenes his cast to measure the characters’ mental distance from their shared past. Some people are thriving, while others are struggling.
Together 99 doesn’t place any judgments on its protagonists, nor is it snide in charting which of the characters have moved the furthest from the commune’s socialist ethos. Instead, Moodysson (as well as the housemates) have compassion for the ways that people evolve over time, shedding parts of themselves in the process." For
IndieWire, Vikram Murthi wrote that "it’s unclear if “Together 99” works as a standalone feature without the context of Moodysson’s original feature; in fact, it’s very easy to imagine a viewer feeling completely unmoored by the sight of aging radicals working through old hang-ups and contemporary crises. But anyone with enduring affection for “Together” will be mildly delighted by the myriad throwaway callbacks in “Together 99,” such as Göran’s delightfully uncompetitive spirit during pickup games or the lasting emphasis on homemade oatmeal as a staple. Like any belated sequel, part of the joy of “Together 99” derives from watching older actors inhabit their once-younger characters and capture how age both has and hasn’t changed their core selves." ==References==