4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Tom Holloway"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Tom Holloway"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"\nTom Holloway is an Australian playwright, based in Melbourne as of May 2015."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Education"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"After attending university in Tasmania, Holloway studied playwriting at Sydney's National Institute of Dramatic Art in 2001, as well as at London's Royal Court Theatre International Playwriting Studio in 2006. ==Plays=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Style"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Holloway has likened aspects of his work to postdramatic theatre. On Love Me Tender, he said: \"There's been a big push away from story the last ten years in this movement called ‘post-dramatic theatre'. They're very fragmented and experimental, these plays... I'm taking what I love about those plays and feeding narrative back into it.\" ==Awards=="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Awards"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Beyond the Neck received a 2008 AWGIE Award for Best Stage Play. Red Sky Morning was awarded an R. E. Ross Trust Script Award and a Green Room Award for Best New Play. In 2010, And No More Shall We Part received the Victorian Premier's Literary Awards Louis Esson Prize for Drama and the 2010 AWGIE Award for Best Stage Play. In 2011, his play Faces Look Ugly won the Max Afford Award. He was shortlisted for the 2011 AWGIE, the 2009 NSW Premier's Literary Award, the 2011 WA Premier's Literary Award and the 2008 and 2009 Patrick White Awards. ==References=="}}]]}]]}],"$Lf"]}],"$L10"]}]