Working within the "problems of abstraction" the artist often takes up a class-conscious
cultural criticism through the genre of the
funerary as well as processes derived from
psychic automatism. Utilizing abstract compositional constructions and modest sculptural materials, such as concrete blocks, folding chairs, and cereal boxes, the works bear witness to the condition of the inevitable.
Anne Doran writes, Holmes's work is "redolent of institutional limbos and marginal lives, with shrill bottom notes of failure and fear." ==Honors==