Steve Baltin from
Cash Box named 'Tongue' Pick of the Week in October 1995, noting that "this lovely single" finds R.E.M. "drastically toning down the energy of previous offerings", as '
What's the Frequency, Kenneth?', '
Bang & Blame' and '
Crush with Eyeliner'. He added further, "Against a simple organstyled arrangement
Michael Stipe delivers an impressive
falsetto that is one of the sweetest things the band has ever put on record. With the tour still going strong and the success of '
Everybody Hurts' from the last album, there appears to be a promising future for this song. While
Triple A will be the first to jump on the bandwagon, they will not be alone, as
CHR,
Top 40 and maybe even
Modern Rock outlets will find room on their playlists for one of the most bankable acts in rock." Chuck Campbell from
Knoxville News Sentinel described it as "romantic" and "organ-laden".
Andrew Mueller from
Melody Maker named it "the only duffer" of the album, "which sounds like
Prince trying to falsetto through a
Tom Waits ballad."
Music & Media wrote, "Stipe tries his first-ever falsetto, which is like
Bono squeezing a '
Lemon'. Maybe a bit off the wall for ACE radio, but as it's a ballad repeated spins will win over even the most wary." Keith Cameron from
NME described it as "a vaguely sinister, slightly daffy detour with Stipe copping his best
Smokey Robinson hi-pitched croon to only shoulder-shrugging effect." Another
NME editor,
Andy Richardson, viewed it as "deft" and "melancholic". Paul Evans from
Rolling Stone felt that on 'Tongue', "Stipe's
Chi-Lites falsetto is a revelation; elsewhere he declaims with clear authority." Howard Hampton from
Spin opined that it's better than its "tearjerking predecessor", and "actually more subtle, even beautiful, it comes off as somehow more overwrought." ==Live performances==