As a teenager Reeves learned orchestral
double bass and played in local
jazz-oriented groups (also sometimes the Wes Minster Five) with Colfes Grammar School, Lewisham schoolmates,
Dave Greenslade and
Jon Hiseman; Reeves and Hiseman would later record with
John Mayall on the album
Bare Wires and then go on to form
Colosseum. Shortly afterwards Reeves took up electric bass, just before Hiseman recommended him to Mayall. After two albums with Colosseum he left to concentrate on session work and production, working with the Woods Band,
Sandy Denny (
The North Star Grassman and the Ravens), Paul Kent,
John Martyn (
Bless the Weather), Day of Phoenix and Burning Red Ivanhoe from Denmark, and
Chris DeBurgh. In 1972 he rejoined Dave Greenslade and formed the band
Greenslade. Reeves remained with the band until 1974, recording three albums with them. As with Colosseum, his departure was motivated by a desire to focus on his career as a producer. In 1973 he played on
Mike Taylor Remembered, a tribute to the musician, with Neil Ardley, Jon Hiseman, Ian Carr, Barbara Thompson and other major modern British jazz players. Subsequently he played with
Curved Air and in jazz band called Big Chief, with former Colosseum saxophonist
Dick Heckstall-Smith and former Curved Air guitarist Mick Jacques. He still plays with Big Chief, Blue Amba and The Warthogs, and plays double bass at The Constitution pub in
Camden Town (Davy Graham's local) every other Tuesday in the Cellar Bar, where he met multi-instrumentalist and songwriter
JC Carroll, with whom he performs and records sporadically. They recorded a live album on their first show together in Ascot. They are understood to be working on an extended raga called "Looking for Gold" and an acoustic album. Reeves is also head of the British sound technology firm
MTR Professional Audio, in business for almost 30 years. ==References==