The Monthly Film Bulletin wrote: "Cliché-ridden script, overplayed characters, but a feeling once or twice that the director had some elusive Higher Thing in mind."
Kine Weekly wrote: "The picture contains rather a lot of talk during the early stages, but above-average acting and photography enable it to transcend initial shortcomings and gallop to a gripping climax. Cliff's derangement is acceptable, and validity heightens the cleverly thought-out thrills. Exciting theatre, smoothly translated into screen terms, it should keep most audiences on the edge of their seats."
Variety wrote: "Here is a grim, suspenseful thriller devoid of cinematograph tricks but packing a hard entertainment punch. ... It has modest production values and within the scope of its budget is attractively presented."
TV Guide wrote, "the story here is nothing new, but the direction is fresh and original. Taking this simplistic plotline, Guillermin manages to inject some good suspense into a modestly budgeted feature. Walsh,
Bentley, and
Anderson play their roles well and play against one another with skill." In
British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Hackneyed script, heavy playing: torment for the audience." ==References==