Hokkei's work is light and simple, and shows the influence of his master Hokusai: the
Famous Places from Various Provinces series appeared shortly after Hokusai's popular
Thirty-six Views of Mount Fuji. Hokkei was an individualistic and versatile artist who made use of a variety of approaches and worked in styles varying from those remiscent of early ukiyo-e artist
Hishikawa Moronobu to Western-tinged methods and subjects. In the 1820s and 1830s Hokkei was a prolific illustrator of
surimono prints, of which he made at least eight hundred; and of books, of which he illustrated about a hundred, including erotica and a book of sketches called
Hokkei Manga (''
) in the manner of the Hokusai Manga''. A representative work is Hokkei's illustrations for the ''
comic novel by Ishikawa Masamochi Hokuri Jūniji
("The Twelve Hours of the Northern Village", referring to the pleasure district of Yoshiwara). He produced few print series, one of which is the of fifteen prints in 1835–36. He also produced full-colour nishiki-e prints in a wide variety of genres, such as musha-e warrior prints and bijin-ga'' portraits of beauties, and made
nikuhitsuga paintings. 'Kintaro Referees a Match between Rooster and Tengu' by Totoya Hokkei, Honolulu Museum of Art, 6342.JPG|
Kintarō Referees a Match between Rooster and Tengu, early 19th century Kop van een zalm-Rijksmuseum RP-P-1958-328.jpeg|
Head of a Salmon, Brooklyn Museum - Autumn Maples at the Takinogawa River - Totoya Hokkei.jpg|
Autumn Maples at the Takinogawa River, Courtisane rijdend op een shishi-Rijksmuseum RP-P-2007-719.jpeg|
Courtesan Riding a Lion, Totoya Hokkei () Hokkei Manga 03.jpg| Totoya Hokkei () Hokkei Manga 05.jpg| Totoya Hokkei () Hokkei Manga 08.jpg| ==References==