"Touch and Go" has generally received positive reception from music critics.
Billboard said that "After the jerky introduction a fluent slight '50-ish melody takes over", that it has "a strangely appealing change in rhythm midway through the song" and also praised the
bass playing.
Record World called it an "oddly affecting rocker [with] arty vocals delivering an effective hook between sharp rhythm shifts."
Los Angeles Times critic Steve Pond described it as the album's "centerpiece", calling it a "mesmerizing, completely effective electronic shuffle."
Daily Record critic Jim Bohen said that "the verses are delivered in an odd herky-jerky meter, and only on the chorus do things begin to flow."
Muncie Star reviewer Kim Terverbaugh said that it combines "the best qualities from the past three decades of rock."
Saginaw News critic Nancy Kuharevicz felt that the song is "a laugh at the whole
urban cowboy syndrome."
AllMusic critic Greg Prato said the song was a standout on
Panorama "which merges off-time keyboard flourishes with some great textural guitar work by
Elliot Easton." Music critic
Robert Christgau said that the song was one of the peaks of
Panorama. Classic Rock History critic Brian Kachejian rated it as the Cars' 8th greatest song, stating that "The verse was defined by a robotic groove that would segue into a sweet summer-like swinging groove. It sounded like two separate songs, which is probably why we liked it."
John Lennon's opinion Former
Beatle John Lennon mentioned the song in his final interview
on 8 December 1980, praising it for its 1950s sound and comparing it with his current record at the time, "
(Just Like) Starting Over." He said, "I think the Cars' 'Touch and Go' is right out of the fifties 'Oh, oh...' A lot of it is fifties stuff. But with eighties styling, but, but... and that's what I think 'Starting Over' is; it's a fifties song made with an eighties approach." ==Charts==