Classified "City of Art and History", Toulouse has a very rich architectural heritage ranging from large Romanesque and Gothic churches to neo-classical facades such as that of the Capitole, to the prestigious mansions of the Renaissance. This ancient heritage is mainly enclosed within the 220 hectares of the city's inner boulevard (one of the largest protected urban areas in France). Almost all the buildings of the historical centre were made with the traditional building material of the region: the '''
foraine brick'
(French: brique foraine
) that has earned the city the nickname of Ville rose
(Pink city). Medieval heir to the Roman brick, the foraine'' brick is characterised by its large dimensions, its flat appearance and its colour ranging from orange/pink to red. White stone is also present in smaller quantities. As there were no stone quarries near Toulouse, it was transported from the
Pyrenees via the Garonne river and was for a long time rare and therefore expensive, considered in Toulouse as a luxury material. However, it is enough to give Toulouse's architecture one of its characteristics: red/white polychromy.
Romanesque architecture (11th-12th c.) The Romanesque architecture of Toulouse is largely dominated by the presence of the Basilica of Saint-Sernin, one of the most important churches of its time in Europe, and fortunate enough to keep its Romanesque character virtually intact.
Basilica of Saint-Sernin Basilica of Saint-Sernin, part of the
Way of Saint James UNESCO World Heritage Site, was also in itself a major place of pilgrimage. It is one of the two largest surviving
Romanesque churches in Europe. With more than two hundred relics (including that of
Saint Saturnin who gave his name to the church), many of which were donated by
Charlemagne to the shrine that preceded the present church, Saint-Sernin is the church with the most relics after Saint Peter of Rome. Conceived from the outset as a gigantic reliquary, the church was mainly built at the end of the 11th century and at the beginning of the 12th century to welcome the crowds of pilgrims, its double-sided aisles and the ambulatory surrounding the apse make it the archetype of the great pilgrimage church, where pilgrims could make the circuit around the church and were able to stop for meditation and prayer at the apsidal chapels of the transept and the radiating chapels of the choir. The church is also particularly noteworthy for the quality of its Romanesque sculptures, including numerous capitals and the historiated tympanum of the Miègeville gate, one of the first of its kind. File:Basilique_Saint-Sernin_de_Toulouse_-_exposition_ouest-1-.jpg|Basilica of Saint-Sernin File:Toulouse Saint Sernin (2012.08) 08.jpg|The east side is the oldest part. File:Tympan_de_la_porte_Miegeville.jpg|Romanesque tympanum of Miègeville gate (late 11th c. or early 12th c.) File:Console_aux_personnages_symmétiques.JPG|Romanesque sculptures File:Nef de la Basilique Saint-Sernin. - FRAC31555 18Fi019.jpg|The central nave of the church
Gothic architecture (13th c.-early 16th c.) Southern French Gothic: a militant religious architecture At the beginning of the 13th century, the Catholic clergy of the South of France, seeing a growing number of the faithful turning to the
Catharism which advocated a more pious austerity, showed the will to correct the defects of the Catholic Church which indulged in luxury. Under the impulse of the bishop of Toulouse,
Foulques, an austere and militant architectural style was born with the reconstruction of the Cathedral of Toulouse: the
Southern French Gothic. Conceived according to an ideal of poverty and humility to bring the faithful together in a single, vast nave to facilitate preaching, this architectural style then developed during the 13th century in the grand
mendicant convents of the city, before spreading in the 14th century to a large number of churches and cathedrals in the region. Several churches or convents in Toulouse belong to this architectural trend, but two of them are particularly symbolic and remarkable: •
Cathedral of Saint-Étienne (Saint Stephen) is the seat of the
Roman Catholic Archdiocese of Toulouse. Its construction, which was mainly done at the beginning and then at the end of the 13th century, reflects the history of this decisive century which saw the city lose its independence to become a French city. The single nave is the first example of Southern French Gothic, at 19 metres wide it probably was at its completion the widest in Western Europe (1210-1220). The higher choir that adjoins it was built in the Gothic style of northern France shortly after the city became part of the Crown of France in 1271. Like all Southern French Gothic churches it has a deliberately austere exterior, but on the inside its alignment of cylindrical columns form one of the tallest colonnades ever erected in Gothic architecture (28 metres high). the remains of private mansions (called
hôtels particuliers) from the Middle Ages and the early 16th century. Often hidden in courtyards, some of these towers are high enough to exceed their function of serving the floors and display the ambition of their owners. At a time when most of the houses in Toulouse were built in wood or
cob, the brick construction of these towers and
hôtels also testifies to their quality. File:Toulouse - Tour de Séguy 1477 01.jpg|Séguy tower, 1477 File:Toulouse - Tour de Boysson.jpg|Boysson tower, 1478 File:Delfau-sommet-2.jpg|Delfau tower, 1497 File:Lancefoc et Serta.jpg|Lancefoc tower (late 15th c.) and Serta tower (1529) File:Olmieres-tour.jpg|Olmières tower, 1503 File:Toulouse - Tour de Bernuy.jpg|Bernuy tower, 1504 File:Bruni-tour.jpg|Bruni tower, 1510 File:Tour de Berenguier Bonnefoy 1513.JPG|Beringuier Bonnefoy tower, 1513 File:2_rue_Saint-Rome_-_Tour_Serta.jpg|Serta tower, 1529
Renaissance architecture (16th c.-early 17th c.) In the 16th century, Toulouse experienced a golden age coinciding with the Renaissance in France. The
woad trade (
pastel) brought merchants of international stature to the city, and the
Parlement of Toulouse made the city the judicial capital of a large part of the south of France. These wealthy elites had private mansions built, remarkable for their architecture inspired by architectural treatises such as those of
Serlio,
Alberti or
Vitruvius, but also by the royal castles of the
Loire Valley and the
Île-de-France. Hotel_de_Caulet-Resseguier_(Toulouse).jpg|Hôtel de Caulet Hôtel Pierre Comère.jpg|Hôtel Comère (Toulouse) 24 Grande-rue Nazareth - Hôtel d'Avizard - Façade.jpg|Hôtel d'Avizard Hotel_st_Jean_3.jpg|Hôtel Saint-Jean (courtyard), former Grand Priory of
Knights Hospitaller Toulouse-Capitole-Cour_Henri_IV_(2).jpg|Henri IV courtyard of the Capitole: brick and stone. Hôtel_d'Orbessan_(Toulouse)_-_Façade_rue_Mage_-_Le_portail.jpg|Portal of hôtel d'Orbessan Toulouse - Portail Desplats.jpg|Portal of hôtel Desplats (courtyard)
18th century architecture In the 18th century Toulouse made its living from its parlement and from the wheat and corn trade, which was boosted by the creation of the
Canal du Midi at the end of the previous century. Among the major architectural achievements, the most notable were undoubtedly the construction of the quays of the Garonne and the new facade of the
Capitole (1750-1760), designed by architect
Guillaume Cammas. In the last third of the 18th century, the ever increasing influence of the Parisian model meant that red brick was no longer popular: the city facades were then whitewashed to imitate stone. This is why nowadays, even though the white paint has generally been removed, there are walls with deep grooves carved in brick to imitate ashlar architecture. File:Capitole-27.jpg|Capitole - city hall File:Hôtel_d'Espie.JPG|Hôtel d'Espie File:Hôtel_d'Espie_-_Portail_sur_la_rue_Mage_à_Toulouse.jpg|Portal of hôtel d'Espie File:Ancien_hôtel_de_Bonfontan_-_41_rue_Croix-Baragnon_Toulouse_-_MériméePA00094534_-_ferronneries_de_style_rocaille,_par_Bernard_Ortet.jpg|Hôtel de Bonfontan File:Toulouse_-_Basilique_de_la_Daurade_(1).jpg|Basilica of la Daurade
19th century architecture Toulouse's 19th century architecture can be divided into three periods, which sometimes overlapped. In the first half of the century, at the instigation of architect Jacques-Pascal Virebent, the main architecturally unified squares were created: the
Place du Capitole and the
Place Wilson (called
place Villeneuve when it was built), whose uniform architecture was inspired by
Rue de Rivoli in Paris. From 1830 onwards, Auguste Virebent and his brothers (sons of Jacques-Pascal) developed a factory of low-cost moulded decorations which met with great success and adorned Toulouse facades with numerous terracotta ornaments, far from the austere architecture of their father. Then, in the last third of the 19th century, large Haussmann-style avenues were opened in the town centre, such as the central Alsace-Lorraine street, built in yellow brick to imitate Parisian stone. File:Toulouse-Place du Capitole.jpg|
Place du Capitole, the main square of Toulouse (19th c.) File:Café_Bibent.jpg|
Place du Capitole (
Café Bibent) File:Maison Lamothe (Toulouse).jpg|Facade with moulded terracotta decorations (19th c.) File:Immeuble_28_rue_des_Marchands.jpg|Facade with moulded terracotta decorations (19th c.) File:Toulouse - rue d'Alsace.jpg|Yellow brick of Alsace-Lorraine street (19th c.)
20th and 21st centuries architecture From the middle of the 19th century, the arrival of the railway in Toulouse facilitated the supply of stone and made it cheaper for construction, and architects did not hesitate to play on the old traditional Toulouse codes linked to the prestige of stone construction, even if these no longer had the economic justification of yesteryear. Thus, at the beginning of the 20th century, the main railway station was built entirely in white stone. Subsequently, concrete replaced the traditional materials, but brick and stone were still used for cladding, as shown recently by the work of prestigious architects such as
Robert Venturi and
Denise Scott Brown for the seat of the departmental council, or
Shelley McNamara and
Yvonne Farrell for the Toulouse School of Economics building. File:Façade Art Nouveau, rue Gambetta.jpg|Art nouveau facade, Gambetta street (early 20th c.) File:Immeuble dit de La Dépêche du Midi, Toulouse.jpg|Art Deco facade, Alsace-Lorraine street () File:Bibliothèque rue Périgord.jpg|Toulouse municipal library, Art Deco facade (1935) File:Toulouse - Conseil départemental 31.jpg|Seat of the departmental council (1999), by the architect Robert Venturi, winner of the Pritzker Architecture Prize in 1991 File:Toulouse - TSE.jpg|Seat of the Toulouse School of Economics (2019), by Grafton Architects, winner of the Pritzker Architecture Prize in 2020
Banks of the Garonne, Canal du Midi, parks The banks of the
Garonne river offer an interesting urban panorama of the city. Red brick dykes from the 18th century enclose the river which was subject to destructive floods. The
Pont-Neuf took almost a century to build as the project was so ambitious (1545-1632). It was a very modern bridge for its time, removing the housing on the deck and using techniques such as lowered arches, openings in the piers and stacked spouts to spread the water, making it the only bridge in Toulouse to withstand the violent floods of the past. Further downstream, the
Bazacle is a ford across the
Garonne river, in the 12th century the
Bazacle Milling Company was the first recorded European joint-stock company. On the left bank of the river, historically a flood-prone bank, stand two former hospitals whose origins date back to the 12th century: the Hôtel-Dieu Saint-Jacques and the
Hôpital de La Grave. Isolated on the left bank, victims of the plague and other sick people were thus kept away from the city by the width of the river. Built at the end of the 17th century, the
Canal du Midi bypasses the city centre and has linked Toulouse to the Mediterranean Sea ever since. Its 240 kilometres were inscribed as a UNESCO
World Heritage Site in 1996. The
Jardin des Plantes, the
Grand Rond and the
Jardin Royal form a set of adjacent parks that span several blocks and include the Museum of Natural History, cafés, children's activities and a
botanical garden (18th-19th century). The
Prairie des Filtres, the Raymond VI garden and the Japanese garden are other interesting parks that border the center of Toulouse. File:Le Pont-Neuf de Toulouse.jpg|
Pont-Neuf (16th-17th c.) File:Garonne_5102.jpg|Red brick dykes from the 18th century File:Panorama Quais & Pont Neuf Toulouse.jpg|Quays of the Garonne and
Pont-Neuf File:Hotel-dieu-02b(1).jpg|
Hôtel-Dieu Saint-Jacques former hospital (12th–19th c.) File:Hopital_de_la_Grave_-_Toulouse_-_2012-06-23.jpg|
La Grave former hospital (12th–19th c.) and the copper dome of its chapel File:Le_Port_de_la_Daurade.jpg|
Port de la Daurade, a former river port converted into a recreational area File:Toulouse rempart et dôme au jardin Raymond VI.jpg|
Raymond VI garden, at the foot of the last remains of the old Toulouse ramparts on the left bank File:Canal du Midi Ramonville.jpg|
Canal du Midi (17th c.) File:Grand_Rond_(jardin).jpg|
Grand rond park File:Jardin_Japonais_de_Toulouse.jpg|Japanese garden File:Ancienne_porte_du_Capitole_(Toulouse).jpg|Renaissance portal in
Jardin des plantes File:Toulouse - Prairie des Filtres et Pont Neuf.jpg|
Prairie des Filtres park
Museums and theme parks Toulouse has many museums, the most important of which are: •
Musée des Augustins is the fine arts museum of Toulouse, it is located in the former
Augustinian convent. •
Bemberg Foundation, housed in the
Hôtel d'Assézat, presents to the public one of the major private collections of art in Europe. •
Musée Saint-Raymond is the archeological museum of Toulouse, located in a former college of the university it presents the ancient history of Toulouse and a very rich collection of Roman sculptures from the imperial
Roman villa of Chiragan. •
Musée Paul Dupuy is the museum of Decorative Arts and Graphic Arts, including a very rich collection of clocks and watches. •
Musée Georges Labit is dedicated to artifacts from the Far-Eastern and Ancient Egyptian civilizations. •
Muséum de Toulouse is one of the most important natural history museums in France, housed in the former convent of the Discalced Carmelites. •
Les Abattoirs is the museum of modern and contemporary art of the city, opened in a former municipal slaughterhouse. File:Augustins_-_Gargouilles_de_l'ancienne_église_des_Cordeliers.jpg|
Musée des Augustins File:Augustins - Vierge à l'Enfant dite Notre-Dame de Grasse RA 788.jpg|
Nostre Dame de Grasse at
Musée des Augustins File:Bemberg Fondation Toulouse - Hercule à la cour d'Omphale - Lucas Cranach l'Ancien - 1537 Inv.1098.jpg|Painting of Lucas Cranach the Elder at Bemberg Foundation File:Toulouse - St Raymond.jpg|
Musée Saint-Raymond File:Musée Georges Labit.jpg|
Georges Labit Museum File:Grand carré MHNT.jpg|
Muséum de Toulouse File:Les abattoirs - Musée d'art moderne de Toulouse.jpg|
Les Abattoirs File:Toulouse - Abattoirs - Picasso.jpg|Picasso at
Les Abattoirs Toulouse also has several theme parks, notably highlighting its aeronautical and space heritage: • ''
Cité de l'espace'' is a scientific discovery centre focused on spaceflight. •
Aeroscopia is an aeronautical theme park located near
Toulouse–Blagnac Airport, dedicated to the preservation of aeronautical historical heritage (it hosts for example two
Concorde airliners). • ''
L'Envol des pionniers'' is a museum that traces the great adventure of l'
Aéropostale, a pioneering airmail company based in Toulouse which operated between France, Africa and South America from 1918 to 1933, and employed legendary pilots such as
Antoine de Saint-Exupéry,
Jean Mermoz or
Henri Guillaumet... •
Halle de La Machine is a vast hall that houses numerous small or giant animated machines, often inspired by the world of aeronautics, human or technological epics. File:Ariane 5 at Cite de l'Espace 1.jpg|''
Cité de l'espace'' File:France Occitanie 31 Toulouse 04.jpg|''Cité de l'espace'' File:Tarmac Nord Aeroscopia.jpg|
Aeroscopia File:Replica Salmson 2 A.2 at Envol des pionniers.jpg|Replica
Salmson 2 A.2 at ''
L'Envol des pionniers'' File:Piste des Géants et halle de la Machine.jpg|
Halle de La Machine File:Minotaure 2.jpg|The giant Minotaur of the
Halle de La Machine ==Economy==