4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Trans (Saariaho composition)"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Trans (Saariaho composition)"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Trans is a harp concerto written in 2015 by the Finnish composer Kaija Saariaho. The work was commissioned by the Suntory Foundation for Arts, the Finnish Radio Symphony Orchestra, the Swedish Radio Symphony Orchestra, Tonhalle-Orchester Zürich, Radio France, and the Frankfurt Radio Symphony. The world premiere was performed by the harpist Xavier de Maistre and the Tokyo Symphony Orchestra conducted by Ernest Martínez Izquierdo at Suntory Hall, Tokyo."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Composition"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Trans has a duration of roughly 20 minutes and is cast in three movements: Instrumentation The work is scored for a solo harp and an orchestra comprising two flutes (2nd doubling piccolo), oboe, two clarinet, bassoon, four horns, trumpet, two trombones, tuba, timpani, three percussionists, and strings. ==Reception=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Reception"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"The music critic Steve Moffatt of Limelight praised Trans, remarking that \"[Saariaho] skilfully manages a score which never drowns out the harp but preserves the rich orchestral polyphony.\" Andrew Mellor of Gramophone gave the piece a more lukewarm review, writing, \"Saariaho was fascinated by the instrument but her gestural language is relatively small, favouring downward glissandos and cyclic finger-picking,\" while adding that \"[t]he dark corners of the second movement's ('Vanité') orchestral hinterland take us to a more interesting place.\" ==See also=="}}]]}]]}],"$Lf"]}],"$L10"]}]