Background George Harrison first mentioned the Traveling Wilburys publicly during a radio interview with
Bob Coburn on the show
Rockline in February 1988. When asked how he planned to follow up the success of his
Cloud Nine album, Harrison replied: "What I'd really like to do next is ... to do an album with me and some of my mates ... It's this new group I got [in mind]: it's called the Traveling Wilburys, I'd like to do an album with them and then later we can all do our own albums again." According to
Jeff Lynne, who co-produced
Cloud Nine, Harrison introduced the idea of the two of them starting a band together around two months into the sessions for his album, The term "Wilbury" also originated during the
Cloud Nine sessions. Referring to recording errors created by faulty equipment, Harrison jokingly remarked to Lynne, "''We'll bury'' 'em in the mix." Thereafter, they used the term for any small error in performance. Harrison first suggested "the Trembling Wilburys" as the group's name; at Lynne's suggestion, they amended it to "Traveling Wilburys". During his
Rockline interview, Harrison voiced his support for Dylan, at a time when Dylan was experiencing an artistic and commercial low point in his career. Harrison and Lynne became friends with
Tom Petty in October 1987, when Petty and his band,
Tom Petty and the Heartbreakers,
toured Europe as Dylan's backing group on the
Temples in Flames Tour. The friendship continued in Los Angeles later that year. There, Harrison struck up a musical rapport with Petty based on their shared love of 1950s
rock 'n' roll, and Lynne began collaborating with Petty on what became Petty's debut solo album,
Full Moon Fever, and writing songs with Orbison, Lynne's longtime musical hero, for Orbison's comeback album,
Mystery Girl. According to Petty, Harrison's dream for the Wilburys was to handpick the participants and create "the perfect little band", but the criteria for inclusion were governed most by "who you could hang out with". The five musicians also bonded over a shared appreciation of the English comedy troupe
Monty Python. In Petty's recollection, Harrison and Lynne then decided to realise their idea of forming a Wilburys band, and first invited him to join before phoning Dylan, who also agreed to join.
Debut album The band members decided to create a full album together,
Traveling Wilburys Vol. 1. Video footage of the creative process was later edited by Harrison into a promotional film for Warner Bros. staff, titled
Whatever Wilbury Wilbury. The album was recorded primarily over a ten-day period in May 1988, to allow for Dylan's limited availability as he prepared for the start of what became known as his
Never Ending Tour and for Orbison's tour schedule. These sessions were held in the house of
Eurythmics member
Dave Stewart, in Los Angeles. The five band members sat in a circle playing acoustic guitars in Stewart's kitchen; once each song's basic track had been written and recorded there (with accompaniment from a
drum machine), the group recorded their vocals in another room, usually after dinner each night. Petty recalled that, as a friend but also an avowed fan of Dylan's, Harrison felt the need to clear the air on the first day by saying: "We know that you're Bob Dylan and everything, but we're going to just treat you and talk to you like we would anybody else." Dylan replied: "Well, great. Believe it or not, I'm in awe of you guys, and it's the same for me." While most of the songs had a primary composer, all of the band members were creative equals. Petty later described Harrison as the Wilburys' "leader and manager", and credited him with being a bandleader and producer who had a natural instinct for bringing out the best in people and keeping a recording session productive. As the group's producers, Harrison and Lynne directed the sessions, with Harrison often auditioning each member to decide who should sing a particular lead vocal part. The two producers then flew back to England; Lynne recalls that, throughout the flight, he and Harrison enthused about how to turn the sparse, acoustic-based tracks into completed recordings. Harrison described the band's sound as "
skiffle for the 1990s". Overdubs and further recording took place at Harrison's studio,
FPSHOT, During promotion for the album, Orbison played along with the mock history, saying: "Some people say Daddy was a cad and a bounder, but I remember him as a Baptist minister."
Vol. 1 was a critical and commercial success, and revitalised the careers of Dylan, Orbison and Petty. Although there was speculation in the press that
Del Shannon or
Roger McGuinn might join the Wilburys, the remaining members never considered replacing Orbison. Lynne later said: "We'd become this unit, we were all good pals … We always knew we were going to do another one, and now it's just the four of us." Harrison was the most active in promoting the Wilburys, carrying out interviews well into 1989. He said he was "wait[ing] for all the other Wilburys to finish being solo artists" so that they could renew the collaboration. By contrast, according to author
Clinton Heylin, Dylan appeared to give the band little attention as he focused on re-establishing himself as a live performer before recording his 1989 album
Oh Mercy. In March 1990, Harrison, Lynne, Petty and Dylan reunited to work on a second Wilburys album, which they intentionally misnumbered
Traveling Wilburys Vol. 3. It was preceded by a non-album single, a cover of "
Nobody's Child", which the band recorded for
Olivia Harrison's
Romanian Angel Appeal charity project. The duration of the main album sessions was again dictated by Dylan's touring schedule and limited availability. Having asked Dylan to record a lead vocal for all the songs before his departure, Harrison was then loath to replace many of the parts, resulting in a greater prominence for Dylan as a lead singer. Although he ceded his own role as a lead vocalist to Dylan and to Petty, Harrison took over more of the production and contributed more prominently as a lead guitarist than before. Petty described the album as "a little more rough and ready, a bit more raucous" than
Vol. 1, while Dylan said the new songs were more developed as compositions relative to the "scraped up from jam tapes" approach to the band's debut.
Vol. 3 was released on 29 October 1990. It was dedicated to Orbison, as "Lefty Wilbury", the pseudonym that Orbison had used in 1988 in honour of his hero
Lefty Frizzell. The album met with less success than the previous one. According to Mo Ostin, the choice of album title came about through "George being George"; The album's liner notes were written by
Eric Idle, another Python member, who again adopted a pseudonym. For the band's final single, "
Wilbury Twist", they filmed a video in which Idle,
John Candy and other comedic actors attempt to master the song's eponymous dance style. The clip was filmed in Los Angeles and completed on 28 February 1991.
After the Wilburys According to Jim Keltner, the decision on the group's future after
Vol. 3 lay with Harrison. Keltner said that from his conversations with Lynne, Petty and Dylan, they were all keen to reunite, whereas Harrison wavered in his enthusiasm. After his 1991 tour of Japan – his first series of concerts since 1974 – Harrison spoke of a possible Traveling Wilburys tour: The Wilburys tour never came about. Petty said about the Wilburys touring: ==Legacy and influence==