Tromsø University Museum

Foundation and Early Years (1872–1918) The idea of establishing a museum in Tromsø was first proposed in 1846 by the school teacher P. Schmidt, who wrote an article in the local newspaper advocating for a natural history museum. This initiative was inspired by Schmidt's collaboration with the marine biologist Michael Sars, who had requested his assistance in collecting specimens from northern marine fauna for the work "Fauna littoralis Norwegiae". {{cite web|url= https://www.yelp.com/biz/troms%C3%B8-arktisk-alpine-botaniske-hage-troms%C3%B8|title= Tromsø arktisk-alpine botaniske hage ==Incorporation into the University==

The establishment of the University of Tromsø in the late 1960s significantly impacted the museum's role and identity. When Parliament formally decided to build Norway's fourth university in Tromsø in 1968, there were intense debates about the relationship between the existing museum and the new institution. The museum advocated for the university to be built near its location to build upon existing research communities and avoid duplicating research environments. However, local authorities preferred a different site to redirect the town's expansion, and state authorities ultimately supported this alternative location. As a result, instead of integrating the museum into new university departments, the entire museum was incorporated into the university as an institute for museum activities in 1977. This arrangement has preserved the museum's separate identity while making it an official part of the university structure. ==Status==

As of 2006, the Tromsø University Museum had about 70 staff members and attracted 80,000–90,000 visitors annually. While the rest of the university has been consolidated at a single campus, the museum remains at its 1962 location. The museum has historically focused on several key research areas: • Natural sciences: Including zoology, botany, and geology, with particular emphasis on Arctic and northern Norwegian species and formations. • Archaeology: The antiquities collection became one of the museum's most important through the work of O.M. Nicolaysen from 1880 to 1924, who despite lacking formal archaeological training, conducted numerous excavations and registrations. In 1905, the museum was given responsibility for most of northern Norway's archaeological heritage. • Sami culture: The Sami collection has been significant since the museum's founding, with major contributions made by Just Qvigstad, who managed the collection from 1884 to 1931 and made fundamental contributions to the study of Sami language and culture. • Arctic Research: Given Tromsø's historical role as a "gateway to the Arctic" and a departure point for many polar expeditions, the museum has maintained collections and research related to Arctic exploration and environments. ==The Samekulturen exhibition==

A milestone in the museum's history was the opening of the permanent exhibition "Samekulturen" (The Sami Culture) on June 15, 1973. Produced by Professor with financial support from the Norwegian Arts Council and Research Council, this exhibition has served as an arena for the dissemination of Sami culture for over four decades. Its development was influenced by Vorren's museum fact-finding missions abroad and Ernst Manker's exhibition at the Nordic Museum of Stockholm. The Sami artist Iver Jåks (1932–2007) played a key role in creating the exhibition's visual character, receiving a scholarship from 1967 to 1972 to illustrate Samekulturen. Several Sami academics were also involved in collecting materials and organizing the museum's educational programs, including individuals who later became prominent in Sami cultural and political institutions. The exhibition presents Sami culture thematically, focusing primarily on livelihood (particularly reindeer nomadism), handicraft, and pre-Christian religion. It begins by mapping the Sami territory and includes over 900 objects arranged in typologies and series. During the 1990s, parts of the exhibition were updated to include focus on Sami political life, and in 2000, a complementary exhibition titled "Sápmi - en nasjon blir til" (Sápmi - Becoming a nation) opened alongside it. Today, Samekulturen remains both an historical document of museological practices and a resource for the revitalization of Sami material culture and identity, with visitors regularly studying the exhibition's artifacts to reclaim traditional knowledge and techniques. ==Publications==

From its early years, the museum has emphasized both public education and research. It published a yearly "årsberetning" (annual report) and the scientific series "Tromsø Museums Aarshefter" from 1878 to 1951, later followed by other publication series featuring work by both museum staff and external contributors. In 1957, Ørnulv Vorren and Ernst Manker published the book "Samekulturen" (Lapp Life and Customs, English edition 1962), which became an important foundation for the exhibition that later bore the same name. ==See also==