Critical response Season 1 True Detective first season received widespread acclaim from television critics, with several naming it among the best television dramas of the year. On the review aggregation website
Rotten Tomatoes, the first season garnered a rating of 92%, based on 100 reviews. The site's critical consensus reads, "In
True Detective, performances by Woody Harrelson and Matthew McConaughey reel the viewer in, while the style, vision and direction make it hard to turn away." On
Metacritic, season one scored an 87 out of 100, based on 41 critics. Reviewers from
The Daily Beast,
The Atlantic, and
The Daily Telegraph cited
True Detective as the strongest show in recent memory. Tim Goodman from
The Hollywood Reporter said the acting, dialogue, and sleek production were the series' most redeeming qualities.
HitFix's
Alan Sepinwall agreed, and believed that these attributes "speak to the value of the hybrid anthology format Pizzolatto is using here ... points to a potentially fascinating shift in dramatic series television".
Richard Lawson, writing for
Vanity Fair, said that Pizzolatto and Fukunaga's sensibilities produce "a captivating and offbeat tweak of a well-worn genre". Despite its critical regard, some critics were not as enthusiastic in their reviews of season one.
The New York Times journalist Mike Hale thought the script too readily deferred to religion as its narrative backbone, as did Chris Cabin from
Slant Magazine. Hank Steuver of
The Washington Post wrote that
True Detective failed to realize its own ambition. The ensemble performances, namely McConaughey and Harrelson, were frequently mentioned in reviews. Robert Bianco in
USA Today wrote that the duo met, and even exceeded occasionally, the "enormously high" performance expectations of the "golden age of TV acting".
David Wiegand of the
San Francisco Chronicle and
Los Angeles Times journalist Robert Lloyd singled out the two men for their work in the series;
The Boston Globe did the same for Monaghan.
Variety Brian Lowry said the
True Detective cast consisted of "fine players on the periphery".
Season 2 True Detective second season received mixed reviews. Praise was given to the performances of Farrell, McAdams and Kitsch, cinematography, and action sequences. However, many critics felt it was weaker than the first season. Most criticism focused on the convoluted plot and dialogue. On
Rotten Tomatoes, the season has a rating of 47%, based on 126 reviews. The site's critical consensus reads, "Despite some memorably grizzled performances,
True Detectives second season is florid to a fault and so unrelentingly grim that it becomes about as much fun as being stuck in L.A. traffic." On
Metacritic, the season has a score of 61 out of 100, based on 41 critics. David Hinckley of the
New York Daily News gave it a very positive review, and wrote: "It's still the kind of show that makes TV viewers reach for phrases like 'golden age of television drama'" and "the second installment of
True Detective goes out of the way not to echo the first". Hank Stuever of
The Washington Post gave it a generally positive review, praising the performances, and wrote: "There is something still lugubrious and overwrought about
True Detective, but there's also a mesmerizing style to it — it's imperfect, but well made." A mixed review came from Brian Lowry of
Variety, who wrote: "Although generally watchable, the inspiration that turned the first [season] into an obsession for many seems to have drained out of writer Nic Pizzolatto's prose." Sean T. Collins of
Rolling Stone gave it a negative review and described the season as having "emerged as the year's most passionately disliked show", and described it as a "squandered opportunity" for Nic Pizzolatto.
Season 3 The third season received positive reviews, in comparison to the mixed reception of the second season. On Rotten Tomatoes, the season has a rating of 84%, based on 110 reviews. The site's critical consensus reads, "Driven by Mahershala Ali's mesmerizing performance,
True Detectives third season finds fresh perspective by exploring the fallibility of memory." On Metacritic, the season has a score of 72 out of 100, based on 35 critics.
Season 4 The fourth season has received widespread critical acclaim, the most acclaimed since the first season. On Rotten Tomatoes, the season has an approval rating of 93% based on 210 reviews. The website's critics consensus reads, "Frighteningly atmospheric and anchored by Jodie Foster and Kali Reis' superb performances,
Night Country is a fresh and frosty variation on
True Detectives existential themes." On Metacritic, the season has a weighted average score of 81 out of 100, based on 48 critics.
Ratings With an average gross audience of 11.9million viewers, the first season of
True Detective was
HBO's most-watched show in its first year of airing, surpassing
Six Feet Under's 11.4million viewers in 2001. This rating system counts all airings of a show in its average audience rating, no matter how many times a viewer watches the show during the report period (including
DVR recordings, reruns, and streaming on
HBO Go). The season averaged 2.33million total live plus same-day viewers, with viewership numbers generally trending upward over the course of the season. The premiere was the second most-watched series debut for the network with 2.3million viewers, behind
Boardwalk Empire 4.8million in 2010. The sixth episode of the season was watched by 2.6million viewers, and became the first episode to surpass the premiere, while the season-finale was watched by 3.5million viewers, a 50% increase over the premiere's ratings. Overall, the second season of the series averaged 2.61million total viewers, and 11.3million viewers in gross audience numbers, slightly below the first season's 11.9million. The third season's two-episode premiere drew 1.4 and 1.2 million viewers in linear television format; this was a decline from the first two seasons. The fourth-season premiere received 2million viewers, including viewership from its linear HBO airing and streaming on
Max. Viewership for the fourth season steadily increased with each episode, culminating in 3.2million total viewers for the season finale and averaged 12.7million cross-platform viewers for the season, to become the most-watched season of the series. This measurement included streams within 90 days of the season premiere. The first season was not as readily available to stream when it was released. For the
4th Critics' Choice Television Awards, the series was nominated for
Best Drama Series, and McConaughey won for
Best Actor in a Drama Series. For the
66th Primetime Emmy Awards, the series was nominated for
Outstanding Drama Series, Harrelson and McConaughey were both nominated for
Outstanding Lead Actor in a Drama Series, Pizzolatto was nominated for
Outstanding Writing for a Drama Series for "The Secret Fate of All Life", and Fukunaga won for
Outstanding Directing for a Drama Series for "Who Goes There". For the
66th Primetime Creative Arts Emmy Awards, the series was nominated for seven awards, and won four, including
Outstanding Cinematography for a Single-Camera Series and
Outstanding Main Title Design. For the
67th Writers Guild of America Awards, the series won for
Best Drama Series and
Best New Series. For the
21st Screen Actors Guild Awards, Harrelson and McConaughey both received nominations for
Best Drama Actor. For the
72nd Golden Globe Awards, the series was nominated for
Best Miniseries or Television Film, Harrelson and McConaughey were both nominated for
Best Actor – Miniseries or Television Film, and Monaghan was nominated for
Best Supporting Actress – Series, Miniseries or Television Film. For the
67th Directors Guild of America Awards, Fukunaga was nominated for
Outstanding Directing – Drama Series for the episode "Who Goes There".
Night Country garnered a total of nineteen nominations at the
76th Primetime Emmy Awards, thus becoming the most nominated season of the show. Foster won for
Outstanding Lead Actress in a Limited or Anthology Series or Movie. Among many, it received nominations for
Outstanding Limited or Anthology Series,
Outstanding Supporting Actor (for Hawkes),
Outstanding Supporting Actress (for Reis),
Outstanding Directing and
Writing (for Lopez). At the
40th TCA Awards,
Night Country received nominations for
Outstanding Achievement in Drama and
Outstanding Individual Achievement in Drama (for Foster). ==Home media==