Turn On the Bright Lights was released to critical acclaim. The album holds a score of 81 out of 100 from the aggregate site
Metacritic based on 21 reviews, indicating universal acclaim. "It's almost as if Ian Curtis never hanged himself," began
Blenders review, with critic Jonah Weiner adding that Paul Banks' vocals echoed Curtis' "gloomy moan."
NME's Victoria Segal argued that the album's "ashen atmospherics" made comparisons to
Joy Division both "obvious and unmistakable," while praising Interpol's take on the "grey‑skinned British past." Scott Seward, writing in
The Village Voice, remarked that while he appreciated the band because they evoked "eating bad bathtub mescaline in the woods and listening to
Cure singles," he sarcastically acknowledged that others "might like them for completely different reasons." Noel Murray of
The A.V. Club opined that Interpol's virtue "lies in the way its music unfurls from pinched openings to wide-open codas", while
Rob Sheffield of
Rolling Stone wrote that their "sleek, melancholy sound is a thing of glacial beauty." By the end of 2002,
Turn On the Bright Lights featured on several publications' end-of-year lists, including
Pitchfork, who named it the best album of the year,
NME, who ranked it at No. 10, and
Stylus Magazine, who ranked it at No. 5. The album placed at No. 15 on
The Village Voices year-end
Pazz & Jop critics' poll. ==Legacy==