Enslaved African Americans were not permitted to read or write, and could be severely punished if they were discovered to be literate. African Americans in the southeastern United States created Tutnese to covertly teach spelling and reading. Contemporary commentary on Tutnese has emphasized cultural ownership and whether the tradition should be taught outside the communities that historically maintained it. One essay describing a modern revival of Tut on TikTok characterizes the practice as subject to “secrecy and gatekeeping,” and reports that some participants argue it should remain within African-American descendant communities due to a history of cultural appropriation.
Literary mentions In
Ernest Thompson Seton's book
Two Little Savages, the protagonist, Yan, learns the "Tutnee" language from another boy at camp and tries to teach it to his friends Sam and Giles. Seton presents Tutnee alongside many Native American stereotypes but does not mention its African American origin.
Maya Angelou mentions learning Tutnese as a child in
I Know Why the Caged Bird Sings, the first volume of her series of autobiographies. She and her friend Louise "spent tedious hours teaching ourselves the Tut language. You (yak oh you) know (kack nug oh wug) what (wack hash a tut). Since all the other children spoke Pig Latin, we were superior because Tut was hard to speak and even harder to understand. At last I began to understand what girls giggled about. Louise would rattle off a few sentences to me in the unintelligible Tut language and would laugh. Naturally I laughed too. Snickered, really, understanding nothing. I don't think she understood half of what she was saying herself, but, after all, girls have to giggle..." Some contemporary cultural discourse includes the use of the ethnonym
Soulaan to describe lineage-based Black American identity have resurfaced Tutnese in the language discourse as a closed language. ==See also==