John Wilkes John Wilkes is the elderly widowed patriarch of the family that includes his son Ashley and two unmarried daughters,
India Wilkes and Honey. The Wilkeses are among the wealthiest families in the county, with land, slaves and money second only to those of the large and hardy Tarleton family of Fairhill Plantation. The Wilkeses are revered by the county folks for their generosity and good nature, but also considered slightly odd because of their interests in reading books and traveling to the North to hear music and view paintings—this sophistication and elegance is attributed to their grandfather being from Virginia, and to them marrying their cousins.
Scarlett O'Hara When the novel begins, Gerald O'Hara is returning from Twelve Oaks (having purchased a slave to be wife to his devoted valet Pork) with the news that
Ashley Wilkes, with whom 16-year-old
Scarlett O'Hara is convinced she is in love, has just formally become engaged to his second cousin, Melanie Hamilton of
Atlanta. In spite for what she perceives as Ashley spurning her, Scarlett accepts the impromptu proposal of Melanie's brother Charles, who was expected by all to marry Honey Wilkes (though changed to India in the film, which omits the character of Honey) and as such becomes a relative by marriage to both Melanie and Ashley. Twelve Oaks suffers terribly in the war from the same shortages and privations as its neighbors. The family is also decimated as first Charles Hamilton dies of pneumonia, then John Wilkes is killed in combat (though elderly, he joined the
Home Guard in defense of Atlanta). The mansion is looted and burned by Union troops in 1864; Scarlett finds a straggling cow in the ruins of the home and enough beans and turnips for a meal from its slave quarters gardens but otherwise it is a total loss. Presumably the remnant of the Wilkes family were subject to the same taxes that necessitate Scarlett's marriage to Frank Kennedy to save her own family's home,
Tara; the lands were seized when they could not pay.
Mansion discrepancy The representation of the plantation house at
Tara in the film
Gone with the Wind corresponds more or less to the description of the house in the novel. The portrayal of the mansion at Twelve Oaks in the film is exaggerated and bears more resemblance to the
Colonial Revival mansions popular in the United States in the first quarter of the 20th Century than it does to the home of an antebellum planter in rural Georgia. During the film's pre-production period, this discrepancy raised mild disapproval from author
Margaret Mitchell. Mitchell had envisioned a more ordinary and historically accurate house. Nevertheless, it is the stately mansion from the film with its
imperial staircase and improbably high-ceilinged corridors (the product of early paint-on-glass style special effect rather than a physical set) that remains in the public mind as the iconic image of "Twelve Oaks" rather than the more restrained
Greek revival house described in the novel. ==The Vampire Diaries==