Ukrainian Baroque

Thanks to influences from Western Europe, from the late 16th century the lands of modern Ukraine came under the influence of the secularized Baroque form of art and architecture, which was still unknown in the neighbouring Tsardom of Russia. According to the historian Serhii Plokhy, Petro Mohyla, the Metropolitan of Kyiv from 1633 to 1647, was crucial in developing the style as part of his drive to reform the Ukrainian Orthodox Church and adapt the Church to the challenges of the Reformation and Counter-Reformation. Ukrainian Baroque reached its apogee in the time of the Cossack Hetman Ivan Mazepa, from 1687 to 1708. Mazepa Baroque is an original synthesis of Western European Baroque architectural forms and Ukrainian national Baroque architectural traditions. ==Architectural style==

, Kyiv Ukrainian Baroque is distinct from the Western European Baroque in having more moderate ornamentation and simpler forms, and as such was considered more constructivist. Many Ukrainian Baroque buildings have been preserved, including several buildings in Kyiv Pechersk Lavra and the Vydubychi Monastery in Kyiv. The historian Andrew Wilson has identified All Saints' Church, the Cathedral of the Dormition and the Trinity Gate Church within the Kyiv Pechersk Lavra as good examples of the style, along with St. Michael's Golden-Domed Monastery in Kyiv and St. Catherine's in Chernihiv. The exterior of St. Sophia Cathedral in Kyiv also underwent significant alterations in the Baroque style. Another example of the style is the Church of St. Elijah in Subotiv, where Bohdan Khmelnytsky buried his son Tymish in 1653 after his death in battle. Notable architects Baroque sculptor Johann Georg Pinsel, who was active during the mid-18th century in Galicia, was the subject of a special exhibition at the Louvre in Paris in 2012–2013. Pinsel, which demonstrated a unique, masterful expressiveness of form and a highly personal characterization of drapery is now recognized as a leading figure in European Baroque sculpture. Italian Baroque architect Bartolomeo Rastrelli, who is best known for designing the Winter Palace in Saint Petersburg and Catherine Palace in Tsarskoe Selo, also made contributions to the Ukrainian Baroque style, designing St. Andrew's Church and Mariinskyi Palace in Kyiv. The palace is now used as the official residence of the President of Ukraine. Galician architect Bernard Meretyn designed the ornate St. George's Cathedral, Lviv, used as a mother church by the Ukrainian Greek Catholic Church. Modern Ukrainian church buildings, such as Troieshchyna Cathedral, are also built in this style, but it is not typical for Ukrainian Baroque. Elements of the Ukrainian Baroque style were later adapted by the Ukrainian-Canadian community when building their own churches, adapted for the wooden church architecture more typical in Canadian-Ukrainian churches. Gallery File:Миколаївський собор.jpg|St. Nicholas Cathedral, Nizhyn - one of the first Baroque architectural monuments in Ukraine (1653) File:Києво-Печерська лавра, вид з мосту Патона.jpg|Kyiv Pechersk Lavra (Baroque parts built in 16th–18th centuries) File:Троїцький монастир.jpg|Trinity Monastery, Chernihiv (1680s) File:Преображенський собор в Ізюмі.jpg|Holy Transfiguration Cathedral, Izium (1682) File:Intercession Cathedral, Kharkiv 2010 - 03.jpg|Intercession Cathedral of Intercession Monastery, Kharkiv (1689) File:Чернігів .Будинок полкової канцелярії.JPG|Building of Chernihiv Regimental Chancellery, 1690s File:Троїцький собор, с.Густиня.jpg|Peter and Paul Church of the Hustynia Monastery, Chernihiv Oblast (1693) File:Георгіївський собор-2.JPG|St. George's Cathedral of Vydubychi Monastery, Kyiv (1696) File:Ukr-barok.jpg|Fragment of the decor of the bell tower (1706) of the Saint Sophia Cathedral File:Брама Заборовського P1930750.jpg|Zaborovsky gate of Saint Sophia Cathedral, Kyiv (1746) File:Ніжинська міська громада - Церква Іоана Богослова (Ніжин) - 2025-10-02 20-12-33 001.jpeg|Church of Ivan the Theologian, Nizhyn (1757), architect Ivan Hryhorovych-Barsky. There is a noticeable transition from Baroque to Classicism File:Собор Антонія і Феодосія (Васильків) 13.jpg|Vasylkiv Cathedral of Sts. Anthony and Theodosius of Pechersk (1758), designed by Stepan Kovnir File:Новомосковськ Троїцький собор головний фасад.jpg|Trinity Cathedral, Samar (1781). One of the few examples of a fully wooden Ukrainian Baroque church. ==Ukrainian Baroque art==

Baroque style in Ukrainian art dominated from around 1600 until the late 18th century. Starting from the 16th century Ukrainian religious artists abandoned most elements of Byzantine art and adopted a clearer, more laconic style influenced by folk art motives and characterized by joyous features. Ukrainian icons created during that period are characterized with saturated colours and rich decorative elements. Baroque art from Ukraine influenced iconographers in the broader region and was mentioned in accounts by contemporaries, such as Paul of Aleppo. The best examples of Baroque painting in Ukraine are the church paintings in the Holy Trinity Church of the Kyiv Pechersk Lavra. Rapid development in engraving techniques occurred during the Ukrainian Baroque period. Advances utilized a complex system of symbolism, allegories, heraldic signs, and sumptuous ornamentation. File:Petro Mohyla- big.jpg|17th-century portrait of metropolitan Petro Mohyla File:Евхологион (Требник Петра Могилы 1646 год).png|Front page of Petro Mohyla's Euchologion, 1646 File:Герб Івана Мазепи з Чернігівського колегіуму.jpg|Hetman Mazepa's coat of arms from the facade of Chernihiv Collegium File:Києво-Могилянська академія та її спудеї.png|Engraving by Ivan Shchyrskyi honouring P. Kalachynskyi, rector of Kyiv Mohyla Academy, 1698 File:Pyriatyn icon.jpg|Crucifixion of Jesus on a 1699 Ukrainian Baroque icon from Pyriatyn, with a portrait of Lubny colonel Leontiy Svichka on the left ==Baroque literature in Ukraine==

In Ukrainian lands Baroque literature flourished in the 17th and 18th centuries and was dominated by religious and spiritual topics, as most of its authors were clergymen. According to Dmytro Chyzhevsky, the first Ukrainian writer to use elements of Baroque style in his works was Ivan Vyshenskyi; Baroque aesthetics are also characteristic for some parts of the Galician-Volhynian Chronicle. Pivotal events in the development of Baroque literature in Ukraine were the foundation of Kyiv Brotherhood School (later known as Kyiv-Mohyla Academy) in 1615 and the restoration of Eastern Orthodox hierarchy in 1620. Main representatives of Baroque culture in Ukrainian lands during that time were Orthodox clergymen and professors of Kyiv Academy. Baroque poetry was a subject taught in Ukrainian higher schools until the end of the 18th century, producing a number of prominent authors creating in that style. The majority of Baroque authors in Ukraine created their works in the Church Slavonic language, but also included many elements from common Ukrainian speech of that time, as well as from Polish and Russian languages. The flowering of Baroque literature in Ukraine helped lay the foundations for Russian secular literature. Notable Baroque authors from Ukraine , 1681 • Pamvo Berynda (?–1632) – lexicographer, one of the pioneers of Ukrainian drama. • Meletius Smotrytsky (1577–1633) – first Ukrainian author to fully embrace the Baroque tradition. • Petro Mohyla (1596–1647) – Metropolitan of Kyiv. • (1598–1679) – Polish and Ukrainian writer, pedagogue and Catholic priest. • Kyrylo Stavrovetsky-Tranquilion (?–1646) – Orthodox and Greek Catholic archimandrite. • Innocent Giesel (c.1600-1683) – archimandrite of Kyiv Pechersk Lavra, rector of Kyiv Mohyla Academy • (fl.1638–1646) – monk of Kyiv Pechersk Lavra, wrote in Polish. • Lazar Baranovych (1620–1693) – Orthodox archbishop. • (c.1620–1688) – rector of Kyiv Academy, archimandrite. • (c.1620–1688) – Orthodox hegumen and preacher. • Danylo Tuptalo (1651–1709) – Orthodox bishop and saint. • Stefan Yavorsky (1658–1722) – Orthodox bishop, head of the Most Holy Synod. • Samiilo Velychko (1670–after 1728) – author of the first systematic history of the Cossack Hetmanate. • (1680–1731) – Orthodox bishop, philosopher and translator. • Feofan Prokopovych (1681–1736) – Orthodox bishop, rector of Kyiv Academy. • Manuil Kozachynsky (1699–1755) – pedagogue and dramatist. • (1700–1754) – Orthodox bishop and theologian. • (fl.1732–1737) – dramatist and literary theorist. • George (Konissky) (1717–1795) – Orthodox bishop, writer and dramatist. • Paisius Velichkovsky (1722–1794) – Orthodox monk. • Hryhorii Skovoroda (1722–1794) – poet and philosopher. • (1725–1754) – Orthodox monk and professor of Kyiv Academy. ==Graphic design==

A Baroque-influenced type of Cyrillic handwriting script was used in documents of the Cossack Hetmanate in Ukraine during the 16-18th centuries. ==Baroque music in Ukraine==

, a Ukrainian folk song of kant'' genre During the Baroque era znamenny chant in Ukrainian music was replaced with part song. One of the most important musical theorists in Ukraine during that time was Mykola Dyletsky, a composer from Kyiv. Among other Ukrainian Baroque composers were Symeon Pekalytsky, Ivan Domaratsky and Herman Levytsky. Music was included in the curriculum of the Kyiv Mohyla Academy, whose alumni popularized Baroque musical genres such as vertep and kant songs. Unlike its Western European counterparts, Ukrainian music of the Baroque era developed predominantly in the vocal genre and was characterized by the lack of operatic works. Ukrainian Baroque music preserved strong contacts with the folk tradition, which is demonstrated by the presence of many vernacular elements in its structure. This exchange of styles was promoted by the activities of itinerant dyaks and teachers, such as Gregory Skovoroda, as well as kobzars and lirnyks. The Baroque period signified the entrance of Ukrainian musical tradition onto the international scene, with folkloric compositions from Ukraine (e.g. The Cossack Rode over the Danube) appearing in Central European music collections of the time. An important figure in the development of Baroque music in Ukraine was Danylo Tuptalo (Demetrius of Rostov), who promoted the use of psalms outside of liturgy and worked in the genre of school drama. The Baroque era also contributed to the development of Ukrainian folk theatre. The musical and pedagogical tradition formed by Ukrainian Baroque left a lasting legacy, which can be seen in the works of late 18th-century composer Artemy Vedel and Romanticist music of the latter period. ==See also==