and
John Wayne in
3 Godfathers (1948) When Armendáriz finished his studies, he moved to Mexico, where he worked for the railroad, as a tour guide, and as a journalist for the bilingual magazine
México Real. He was discovered by film director
Miguel Zacarías when Armendáriz recited a soliloquy from
Hamlet to an American tourist. His meeting with the director
Emilio Fernández was providential, whereupon the actor and director began working in numerous films:
Soy puro mexicano (1942),
Flor silvestre (1942) and specially
María Candelaria (1943) were the first films of intense common path. Under the guidance of Emilio Fernández, Pedro Armendáriz developed the film personality traits of a strong nationalist; often, he played tough and manly men, indigenous, peasants and revolutionaries. Amendáriz repeatedly portrayed
Pancho Villa and played opposite actresses such as
Dolores del Río and
María Félix. With Dolores del Río, Amendáriz formed one of the most legendary couples of the Mexican cinema.
María Candelaria provided Armendáriz with international visibility. The film was awarded the
Palme d'Or at the 1946
Cannes Film Festival. Other prominent titles where Armendáriz appeared with Dolores del Río were
Las Abandonadas (1944),
Bugambilia (1944) and
La Malquerida (1949). Maria Felix was his other partner in such films as
Enamorada (1946) or
Maclovia (1948). In the late 40s, he made the jump to
Hollywood by the hand of
John Ford. Armendáriz was a favorite of Ford, appearing in three of his films:
The Fugitive (1947),
Fort Apache and
3 Godfathers (both 1948). in
Diane (1956) Besides his career in the Mexican cinema, Armendáriz made a remarkable career in Hollywood and Europe. His other prominent films in Hollywood were:
We Were Strangers (1949, directed by
John Huston),
The Torch (1950),
Border River (1954),
The Conqueror (1956) and
Diane (1956), among others. In Europe, highlighted his participation in the film
Lucrèce Borgia (1953), filmed in
France. In Mexico, his participation highlighted such notable films such as
El Bruto (1953, directed by
Luis Buñuel),
La Cucaracha (1959) and
La Bandida (1962). Armendáriz's last appearance was in the second
James Bond film,
From Russia with Love (
1963), as Bond's ally, Kerim Bey. Armendáriz was terminally ill with cancer during the filming of
From Russia with Love, and towards the end of shooting he was too ill to perform his part; his final scenes were performed by his double, director
Terence Young. Armendáriz died four months before the release of the film. ==Personal life==