Rotten Tomatoes, a
review aggregator, reports that 85% of 13 surveyed critics gave the film a positive review; the average rating is 7.8/10.
Metacritic rated it 56 out of 100 based on five critics, indicating "mixed or average reviews".
Frank Scheck of
The Hollywood Reporter, while praising Piet and Ashton, wrote that the film's two storylines "work reasonably well separately" but are "unnecessarily padded and don't tie together strongly". This criticism was echoed by Frank Lovece of
Film Journal International and Martin Tsai of the
Los Angeles Times, though Lovece wrote that there is a good film buried underneath the unnecessary scenes.
Michael Phillips of the
Chicago Tribune wrote that the thriller aspect is the stronger of the two plotlines, though he calls Lyng a "charismatic standout". Chuck Wilson of
The Village Voice wrote that it takes too long for the storylines to converge, but the film becomes a taut thriller once they do.
Neil Genzlinger of
The New York Times, in making it a "NYT Critics' Pick", praised the film's ability to blend disparate storylines and called it "tantalizing, sublimely creepy stuff that keeps you guessing even after the credits roll". Marc Savlov of
The Austin Chronicle wrote that it "plays like two completely different movies that have been skillfully intercut" and "confounds expectations at seemingly every turn". == References ==