Argentine singers
Sandra Mihanovich and
Celeste Carballo notably covered the song and included it as the title track of their second and final studio album as a
pop duo,
Mujer contra mujer, released in October 1990 by
RCA Records. The choice of title, cover art and songs were centered on the message of lesbian love, considered a bold and unprecedented act in Argentine popular culture.
Mujer contra mujer is widely remembered for a promotional campaign in which the city of
Buenos Aires was wallpapered with large posters featuring its controversial cover photograph, which shows both singers in a naked embrace. The song was produced by
Argentine rock musician
Fito Páez, who also played the piano, keyboard, bass and electronic drums. It is the opening track of the album's
B-side. The duo also appeared at
Imagen de Radio, a TV program hosted by Juan Alberto Badía, where Carballo famously
came out in a landmark moment for Argentine lesbians. Today, the release of
Mujer contra mujer is celebrated as a turning point in the visibility of lesbians within Argentine society, and a symbol for the
local LGBT community. Writing for
Página/12 in 2009,
lesbian feminist journalist Marta Dillon reflected: "[
Mujer contra mujer was] an outburst typical of convulsive years, of the end of a decade, that of the '80s, which called for, at least, attitude. And anyone who was a teenager then knows that the attitude those girls had was more challenging than any other taken by fleeting
rock stars. How can we describe what that kick to the
closet meant without appealing to our own memory? Also for those who didn't even dream that being a lesbian was possible, for those who fantasized, for those who fantasized but made an effort to have a boyfriend, for the gays from the provinces, for those from the city, for those who were alone, for those who couldn't read between the lines in
Virus' lyrics or
Freddie Mercury's
drag attitude." ==Saya version==