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Upside-down painting

Most paintings are intended to be hung in a precise orientation, defining an upper part and a lower part. Some paintings are displayed upside-down, sometimes by mistake since the image does not represent an easily recognizable oriented subject and lacks a signature, or by a deliberate decision of the exhibitor.

Examples
New York City I, a 1941 unfinished version of New York City, a 1942 oil by Piet Mondrian, hung upside-down at the MOMA of New York and since 1980 at the Kunstsammlung Nordrhein-Westfalen. After the mistake was discovered in 2022, the painting's orientation was not corrected, in order to avoid damage. • , a paper-cut by Henri Matisse depicting a ship reflected on the water, was hung upside-down at the MOMA for 47 days in 1961. • Georgia O'Keeffe's The Lawrence Tree (1929) depicts a tree from its foot. It hung up upside-down in 1931 and between 1979 and 1989. Her Oriental Poppies hung upside-down for 30 years at the Weisman Art Museum of the University of Minnesota. • For a period in 1994, Salvador Dalí's ''Four Fishermen's Wives in Cadaquès'' was upside-down at the Metropolitan Museum of New York. By inverting his paintings, the artist is able to emphasize the organisation of colours and form and confront the viewer with the picture's surface rather than the personal content of the image. In this sense, the paintings are empty and not subject to interpretation. Instead, one can only look at them. ==When both orientations are valid==
When both orientations are valid
reversed and the right way . See also The Fruit Basket and The Gardener''. Some works display rotational symmetry or are ambiguous figures that allow both orientations to be meaningful. Giuseppe Arcimboldo painted several works that are still lifes in one orientation and related portraits in the other. ==See also==
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