The diet of the Eurasian hoopoe includes many species considered by humans to be
pests, such as the pupae of the
processionary moth, a damaging forest pest. For this reason the species is afforded protection under the law in many countries. They achieved a similar standing in
Minoan Crete. In the
Torah,
Leviticus 11:13–19, hoopoes were listed among the animals that are unclean and should not be eaten. They are also listed in
Deuteronomy 14:18 as not
kosher. The hoopoe also appears in the
Quran and is known as the "
Hudhud" (
هدهد), in Surah Al-Naml 27:20–22: "And he
Solomon sought among the birds and said: How is it that I see not the hoopoe, or is he among the absent? (20) I verily will punish him with hard punishment or I verily will slay him, or he verily shall bring me a plain excuse. (21) But he [the hoopoe] was not long in coming, and he said: I have found out (a thing) that thou apprehendest not, and I come unto thee from
Sheba with sure tidings." Hoopoes were seen as a symbol of virtue in
Persia. A hoopoe was a leader of the birds in the Persian book of poems
The Conference of the Birds ("Mantiq al-Tayr" by
Attar) and when the birds seek a king, the hoopoe points out that the
Simurgh was the king of the birds. Hoopoes were thought of as thieves across much of Europe, and harbingers of war in
Scandinavia. In
Estonian tradition, hoopoes are strongly connected with death and the
underworld; their song is believed to foreshadow death for many people or cattle. The hoopoe is the king of the birds in the
Ancient Greek comedy
The Birds by
Aristophanes. In
Ovid's
Metamorphoses, book 6, King
Tereus of
Thrace rapes
Philomela, his wife
Procne's sister, and cuts out her tongue. In revenge, Procne kills their son Itys and serves him as a stew to his father. When Tereus sees the boy's head, which is served on a platter, he grabs a sword but just as he attempts to kill the sisters, they are turned into birds—Procne into a
swallow and Philomela into a
nightingale. Tereus himself is turned into an
epops (6.674), translated as
lapwing by Dryden and
lappewincke (
lappewinge) by
John Gower in his
Confessio Amantis, or
hoopoe in A. S. Kline's translation. The bird's crest indicates his royal status, and his long, sharp beak is a symbol of his violent nature. English translators and poets probably had the
northern lapwing in mind, considering its crest. The hoopoe was chosen as the
national bird of Israel in May 2008 in conjunction with the country's 60th anniversary, following a national survey of 155,000 citizens, outpolling the
white-spectacled bulbul. The hoopoe appears on the Logo of the
University of Johannesburg and is the official mascot of the University's sports. The municipalities of
Armstedt and
Brechten, Germany, have hoopoes in their coats of arms. In Morocco, hoopoes are traded live and as medicinal products in the markets, primarily in herbalist shops. This trade is unregulated and a potential threat to local populations Three CGI enhanced hoopoes, together with other birds collectively named "the tittifers", are often shown whistling a song in the
BBC children's television series
In the Night Garden.... File:写生珍禽图卷 蕣花笑日.jpg|Hoopoe featured in
The Sketching of Rare Birds by
Emperor Huizong of Song in the 12th century File:Hoopoe_with_insect.jpg|Hoopoe in
Israel. The hoopoe is Israel's
national bird. File:Hoopoe bird watercolour.jpg|The Hoopoe bird was recorded as residing in Britain in the 18th century ==Conservation==