The palace is located in a large park and stands on a square plan, much like
Schloss Johannisburg at Aschaffenburg. The four corner pavilions are topped by squat octagonal towers with prominent slate roof hoods featuring pierced ball ornaments. The facades are heavily segmented by large windows (with triangular gables on the ground floor and arches on the upper floor). Each row of windows is supported by a cornice. The inner court features two small clock towers and an arcade that surrounds it on the ground floor on all four sides. The interior mostly dates from the 1730s.
Balthasar Neumann and J.J.M. Küchel were involved in the designs. The palace chapel on the ground floor contains a
Rococo altar that was made out of stucco by based on a drawing by Küchel. The altar painting is
Die Heiligen drei Könige (
the Three Magi) by Johann Rottenhammer (c. 1600). The centre part of the upper floor is occupied by a Baroque flight of rooms with the
Rokokosaal in the middle. Its walls were covered by
gypsum "marble" and reliefs painted by F.A. Decourt. The ceiling has a painting by
Giuseppe Appiani, showing the goddess of the dawn (1752). The park is today quite different in appearance than originally, when it was laid out during the reign of
Lothar Franz von Schönborn in the early 18th century, since the ponds, cascades and fountains were all drained in 1803-6, after the water pipe from the had been cut. Most of the around 400 figures created by the sculptors Ferdinand Tietz, Gollwitzer and Trautmann in the 1760s were destroyed or sold following
secularization. Some of these groups are today scattered around the Bamberg area or were taken to the
Germanisches Nationalmuseum at Nuremberg. Today, a few have been returned and are on display in the western
Orangerie. In the 1960s and 1970s vases and benches were sold off to private buyers. After 1995, the park was restored, including the cascade. Access to the park is by five ornamental wrought-iron gates, flanked by two guard houses which were built by Küchel. The six pillars are topped by lions and vases created by Peter Benkert. The smaller entry from the village is due to B. Neumann and Küchel. The sweeping
Orangeries were used by
Adam Friedrich von Seinsheim in the 1770s for staging plays. At the time, the guest rooms in the western wing still had a direct view of the
Neue Residenz at Bamberg. The park features hornbeam hedges that are over 300 years old and groves of 250-year old linden trees. ==Today==