Early roles and stardom '' As a teenager, Depardieu befriended Michel Pilorgé, a slightly older boy from a more affluent background. In 1965, Pilorgé, whose family owned a flat in Paris and who wanted to settle in the capital to become an actor, proposed Depardieu, then aged 16, to come with him. Depardieu accepted and left Châteauroux for Paris. Out of curiosity, he began attending the acting class Pilorgé was taking at the
Théâtre National Populaire. One day the teacher,
Lucien Arnaud, noticed Depardieu and asked him to perform. The experience helped trigger Depardieu's vocation. Depardieu next took acting classes with
Jean-Laurent Cochet At Cochet's request, he followed a therapy with
Alfred A. Tomatis to correct his disastrous diction. Depardieu later said that working on theatre texts had taught him to "read and speak". Depardieu became the boyfriend, and later husband, of actress
Élisabeth Guignot, who introduced him into entertainment circles and the Parisian bourgeoisie. In 1966, Guignot brought him on the first film project he worked on,
Christmas Carole, directed by
Agnès Varda, where he was cast as a
beatnik. The film was never completed due to a lack of funding and distribution deal. In 1967, Depardieu made his first actual screen appearance in the short film
Le Beatnik et le minet, directed by
Roger Leenhardt; his diction was still so bad at the time that his voice had to be
dubbed by another actor. He acquired a reputation thanks to his "instinctive" approach to acting. Theatre director Claude Régy was enthusiastic about Depardieu, whom he found "extraordinary" and gifted in an "abnormal" way: he cast him in several plays, including
Peter Handke's
The Ride across Lake Constance which Depardieu later credited with jump-starting his career. Depardieu appeared in various supporting roles in films and on television, often portraying hoodlums and petty criminals. He played a similar character in the film where he had his first major role,
Bertrand Blier's raunchy and controversial comedy
Les Valseuses (
Going Places, 1974). Blier was initially reluctant about casting Depardieu but the actor, who felt that the character's background strongly resembled his own, pestered him until he won the role. The film, in which Depardieu co-starred with Dewaere and Miou-Miou, was a huge box office success in France, gaining a cult following and making instant stars of the three actors. That same year, Depardieu was part of the
ensemble cast of
Claude Sautet's
Vincent, François, Paul and the Others, which came to be regarded as a classic of French cinema. Depardieu's other prominent films during the 1970s included the psychological thriller
Seven Deaths by Prescription (1975) which earned him his first
César Award nomination,
Barbet Schroeder's controversial erotic drama
Maîtresse, and
André Téchiné's romantic thriller
Barocco where he co-starred with
Isabelle Adjani (both 1976). Also in 1976, Depardieu played a lead role in
Bernardo Bertolucci's Italian historical epic
1900, where he co-starred with
Robert De Niro and an international ensemble cast that included
Donald Sutherland,
Stefania Sandrelli and
Burt Lancaster. The thriller
This Sweet Sickness (1977), directed by
Claude Miller, was a box-office failure but earned Depardieu another César Award nomination. During that period, Depardieu also appeared in several experimental films, including two by
Marco Ferreri,
The Last Woman (1976) and
Bye Bye Monkey (1978), and
Baxter, Vera Baxter (1978). He worked again with Bertrand Blier on the quirky sex comedy
Get Out Your Handkerchiefs (1978), which won the
Academy Award for Best International Feature Film in 1979 and the surreal dark comedy
Cold Buffet (1979), which became a cult film in France.
Peak of success 1980s In 1980, Depardieu starred in
Alain Resnais' internationally successful
My American Uncle. That same year, he co-starred with
Isabelle Huppert in
Loulou, directed by
Maurice Pialat. This film marked the beginning of a long collaboration with Pialat, who directed Depardieu in three other films. Also in 1980, Depardieu co-starred with
Catherine Deneuve in
François Truffaut's
The Last Metro, a drama set in
Nazi-occupied Paris. The film was a major commercial success and earned Depardieu his first
César Award for Best Actor. Later that year, Depardieu appeared in a second film with Deneuve,
Claude Berri's
Je vous aime. They subsequently made six more films together. Still in 1980, he co-starred with
Coluche in the box-office hit
Inspector Blunder, a police comedy where he played the antagonist. He also tried his hand at singing, releasing an
LP with lyrics written by his wife. During the first half of the 1980s, Depardieu enjoyed a series of commercial and critical successes, including his second and last film with François Truffaut, the romantic drama
The Woman Next Door (1981). Other notable films included the period drama
The Return of Martin Guerre (1982),
Andrzej Wajda's historical drama
Danton (1983), as well as the crime film
Choice of Arms (1981) and the war drama
Fort Saganne (1984), both directed by
Alain Corneau. Depardieu conceived it as a filmed version of the play, which he was performing at the time at the
National Theatre of Strasbourg. The reception was disappointing for both the play and the film. Depardieu rarely returned to directing thereafter. For his performance in the crime drama
Police (1985), his second film with Maurice Pialat, he was awarded the
Volpi Cup for Best Actor at the
Venice Film Festival. Already an established dramatic performer, Depardieu extended his range and box-office appeal throughout the 1980s by appearing in a series of highly successful, family-friendly comedies. Following
Inspector Blunder in 1980, he co-starred with
Pierre Richard in three comedy films directed by
Francis Veber,
Knock on Wood (1981),
ComDads (1983) and
The Fugitives (1986), that were major commercial hits in France. Depardieu functioned as the 'straight man' in his pairing with Richard. By the mid-1980s, Depardieu had become one of the most successful and sought after actors in the French film industry. Also in 1986, he co-starred with singer
Barbara in a musical play she had conceived,
Lily Passion. The show enjoyed great success. The next year, he played the lead role in Maurice Pialat's
Under the Sun of Satan, which controversially won the
Palme d'Or at the
Cannes Film Festival. , sporting his
Cyrano de Bergerac moustache. In 1988, Depardieu was
Isabelle Adjani's co-star in the successful and critically acclaimed biographical drama
Camille Claudel. Several of Depardieu's next films were box-office disappointments, including
François Dupeyron's
A Strange Place to Meet (1988) and
Alain Resnais'
I Want to Go Home (1989) but, also in 1989, he enjoyed renewed success with Bertrand Blier's
Too Beautiful for You which won the
Grand prix at the
Cannes Film Festival and the
César Award for Best Film.
1990s-2000s In 1990, Depardieu received particular notice for his starring role in
Jean-Paul Rappeneau's
Cyrano de Bergerac, based on
Edmond Rostand's
1897 play. The film was an international box-office success and won critical acclaim: Depardieu's performance as
Cyrano earned him his second
César Award for Best Actor, the
Cannes Film Festival Award for Best Actor, the
London Film Critics' Circle Award for Actor of the Year, as well as a nomination for the
Academy Award for Best Actor. Later that year, Depardieu appeared in the ensemble cast of
Uranus, a satirical drama about postwar France directed by Claude Berri. Depardieu's next film was the American romantic comedy
Green Card, directed by
Peter Weir and co-starring
Andie MacDowell. His first
Hollywood picture, Depardieu next started filming
Ridley Scott's historical epic
1492: Conquest of Paradise, in which he starred as
Christopher Columbus. Released in 1992 to celebrate the
500th anniversary of Columbus' voyage, the film flopped in the United States but did good business in Europe. Also in 1992, Depardieu was the Jury President for the
Cannes film festival. Depardieu also developed a passion for the films directed by
John Cassavetes. In the early 1990s, together with
Jean-Louis Livi, he bought the
distribution rights for most of Cassavetes' films, including some that had never been released in France, to introduce them to a new audience. He later co-produced and appeared in
Nick Cassavetes' first film as a director,
Unhook the Stars (1996) and co-produced his next film, ''
She's So Lovely'' (1997). Depardieu's next box-office successes in France were
Claude Berri's epic period drama
Germinal (1993) where he was part of an ensemble cast,
Jean Becker's drama
Élisa (1995) where he played a supporting role alongside
Vanessa Paradis, and
Jean-Marie Poiré's comedy
Guardian Angels (also 1995) in which he co-starred with
Christian Clavier. In 1993, Depardieu starred in the experimental
Hélas pour moi, directed by
Jean-Luc Godard, though Godard and Depardieu disliked working together and Depardieu eventually refused to promote the film. During the same period, the science fiction thriller
The Machine (1994) was a box-office flop; Depardieu's performance in that film received unusually poor reviews. In 1994, Depardieu starred in
My Father the Hero, the Hollywood remake of his 1991 French film of the same name. His subsequent English-language roles included
Bogus (1994), a cameo in
Kenneth Branagh's
Hamlet (1996),
The Man in the Iron Mask (1998),
Vatel,
102 Dalmatians (both 2000) and
CQ (2001). During the late 1990s and early 2000s, Depardieu starred in several successful television miniseries, notably portraying
Edmond Dantès in
The Count of Monte Cristo (1998) Depardieu's subsequent notable appearances included starring roles in the crime film
The 36 (2004), the romantic drama
When I Was a Singer (2006) which won him the
Lumière Award for Best Actor,
Claude Chabrol's last film, the murder mystery
Bellamy (2009), as well as supporting parts in
La Vie en Rose (2007),
Mesrine (2008) and
Ang Lee's
Life of Pi (2012). He also published a
cookbook in 2005. the biographical film
Dumas and the comedy drama
My Afternoons with Margueritte. Also in 2010, he starred in the surprise success
Mammuth, a low-budget dramedy for which he had agreed to work at the union minimum wage in exchange for a percentage of the revenue. In the early 2010s, Depardieu's popularity in France suffered from the controversies following his
tax exile first in
Belgium then in
Russia, and his public praise of
Vladimir Putin. Several of his films performed dismally at the French box-office, including the period drama
The Man Who Laughs (2012) which was released in the midst of the controversy. In 2014, Depardieu starred in
Abel Ferrara's controversial
Welcome to New York as a thinly-disguised impersonation of disgraced former
IMF chief
Dominique Strauss-Kahn. The film was released only on
VOD. Also in 2014, Depardieu appeared in
United Passions, a promotional film about the history of
FIFA that bombed at the box-office and was lambasted by critics. Still in 2014, the crime film
Viktor, an English-language Russian production, flopped in its limited U.S. release, failed to secure a release in France and was ridiculed by several French media. Two films Depardieu made with director
Guillaume Nicloux,
Valley of Love, also starring
Isabelle Huppert (2015), and
The End, a low-budget film released on VOD (2016), while not box-office successes, earned him nominations for the
César Award for Best Actor (for the first film) and the
Lumière Award for Best Actor (for both films). Depardieu made two further films with Nicloux, including
Thalasso (2019) where he co-starred with author
Michel Houellebecq. From 2016 to 2018, Depardieu played a starring role in
Marseille,
Netflix's first French-language original series. He authored or co-authored four books between 2014 and 2020, either to tell his life story Starting in 2017, Depardieu performed
Barbara's songs on stage as a homage to the late singer. He reprised this show several times in the following years.
2020s Depardieu next appeared in the drama
Home Front (2020), the literary adaptation
Lost Illusions (2021), the successful comedy
Retirement home, and the drama
The Green Shutters (all 2022). His public image was then impacted by the accusations of rape and sexual assault against him. In April 2023, he was excluded from the promotion of his latest film,
Umami. Later that year, his public performances of Barbara's songs were disrupted by feminists, causing the cancellation of several shows. As a result of these allegations and the criminal charges brought against him, Depardieu was ostracised by most French filmmakers: in March 2025, while he was on trial, it was reported that he hadn't worked on a film since the completion of
The Green Shutters in 2021. In May 2025, Depardieu began work on his first film in four years,
Elle regardait sans plus rien voir, a
Portuguese-French coproduction directed by
Fanny Ardant. ==Personal life==