painting The printed editions of this work, depending on the version, has 217 or 218
adhyāyas (chapters). The
critical edition (edited by Anand Swarup Gupta, and published by the All-India Kashiraj Trust, Varanasi) has 215 chapters. The Hindu tradition and other Puranas claim that this text had 24,000 verses; however, surviving manuscripts have less than half that number. According to the
Narada Purana, this text has two parts:
purvabhaga and
uttarabhaga. While the contents of the
purvabhaga summarized in the Narada text generally correspond to the extant manuscripts of the
Varaha Purana, the
uttarabhaga summarized in the Narada text is not found in surviving Varaha manuscripts, and presumed lost to history. According to Rajendra Hazra, the extant text has four distinct sections, differing in interlocutors and general characteristics. These sections were likely composed in different time periods, by different authors. In the first section (chapters 1 to 112),
Suta is the narrator and
Varaha and
Prithvi are the interlocutors. In the second section (chapters 113 to 192), Suta narrates what was told by Prithvi to
Sanatkumara about the dialogue between Varaha and herself. In the third section (chapters 193 to 212), Suta describes the conversation between the king
Janamejaya and the sage
Vaishampayana. This section is also known as the
Dharma Samhita. In the final section (chapters 213 to end), Suta narrates the conversation between
Brahma and Sanatkumara. ==See also==