In 1938 and 1939 Pagava participated to the
Témoignage group show, initiated by Marcel Michaud. She presented painted fabrics. In 1943, Pagava met the famous gallery owner
Jeanne Bucher, who exhibited her paintings alongside
Dora Maar's in 1944.), in
Brussels in 1953,
Norway in 1954 (Oslo, Bergen Trondheim, with
Janice Biala and
Maria Helena Vieira da Silva),
Wuppertal in 1955,
Berlin in 1956,
Lausanne in 1957, New York City at the Meltzer Gallery in 1959. She created a monumental mural work for the
Vatican City pavilion at the
Brussels World's Fair in 1958. In 1966 she represented France at the
33rd Venice Biennale. A room was dedicated to her watercolors. In 1982 and 1983 a retrospective exhibition is organized in different french museums :
Musée des Beaux-Arts de Dijon (Donation Granville), Musée de Beauvais, Musée Saint-Denis de Reims and
Musée des beaux-arts de Troyes. The first retrospective of her work in Georgia was held in 2012 at the Dmitri Schevardnadze National Gallery. Her work moved from figurative to abstract between the 1930s and the 1960s; she often used geometric forms and warm pale tones and greys in her work. "Vera Pagava susurre, ou presque" (
Vera Pagava whispers, or almost), commented a critic in 2016. Another critic described her later work as "highly singular, combining formal purity with luminous intimacy." Pagava's work was included in the 2021 exhibition
Women in Abstraction at the
Centre Pompidou. In 2022, Pagava's work was included in The Guggenheim Museum Bilbao's exhibit: "From Fauvism to Surrealism: Masterpieces from the Musée d’Art Moderne (MAM) de Paris." In 2023 the TBC Concept gallery in Tbilisi held a solo exhibition of Pagava' work entitled
Silent Cities. Pagava's works are in the collections of the
Musée National d’Art Moderne (MNAM) Centre Georges Pompidou, Paris, France, the Musée des Beaux-arts de Dijon (Donation Pierre Granville), Dijon, France, and the
Unterlinden Museum, Colmar, France ==Personal life and legacy==