José Vianna da Motta was born on
São Tomé Island, a Portuguese territory at the time where his father, also a great amateur musician, had opened a pharmacy. Moving with his family to
Continental Portugal, he settled in Colares, near
Sintra, where he soon showed his unusual skills in music, and in playing and composing works for the piano. In Berlin he had lessons from
Xaver Scharwenka and
Philipp Scharwenka before studying with Franz Liszt at
Weimar in 1885 and with
Hans von Bülow two years later. In the following years he undertook many concert tours all round the world. His professional career began in 1886 and continued uninterruptedly until 1945. He made his first European tour in 1888, accompanying violinist
Pablo de Sarasate in Copenhagen and Helsinki and violinist
Tivadar Nachéz in Moscow and St. Petersburg. Motta made his first American tour in 1892, the year he visited New York and where he met
Ferruccio Busoni, and played for the first time in Brazil in 1896, on a tour with the violinist
Bernardo Moreira de Sá. He returned several times to South America, having been applauded in his recitals in Buenos Aires, one of the cities where he performed more often in public. He made a number of transcriptions of Alkan's
pedalier pieces into two hand versions. Vianna da Motta remained close to his fellow virtuoso Busoni, having written the programme notes for Busoni's major series of piano concerto concerts in Berlin. On July 31, 1900, Busoni and Motta gave a concert dedicated to Liszt's works in Weimar. The program included Liszt's transcription of Beethoven's
Ninth Symphony, which they played on two pianos. Vianna da Motta was also a composer in his own right, including orchestral works (one of them a
symphony) as well as piano pieces. On 25 October 1906, Motta recorded ten
piano rolls for
Welte-Mignon including three of his own compositions. He was Director of the
Lisbon Conservatory from 1919 to 1938. Amongst his pupils there was the pianist
Sequeira Costa. He died in Lisbon in 1948, aged 80. ==Compositions==