Videodrome was the third film of Cronenberg's to be scored by Howard Shore. For the recording, Shore used dramatic orchestral music that increasingly incorporated, and eventually emphasized, electronic instrumentation. This was designed to follow the protagonist Max Renn's descent into video hallucinations. In order to achieve this, Shore composed the entire score for an orchestra before programming it into a
Synclavier II digital synthesizer. The rendered score, taken from the Synclavier II, was then recorded being played in tandem with a small string section. The resulting sound was a subtle blend that often made it difficult to tell which sounds were real and which were synthesized.
Differences from the film The album is not a direct copy of the music used in the film, but rather a remixing. The mix was an assembly of the film's original tracks that often accentuated the various layers of the music differently from in the film itself. It also includes elements of synthesized speech and sound effects. The mix was done by Scot Holton of Varèse Sarabande, who loved many of the subtler elements of the film's score and made them more prominent in the album's tracks. Shore has commented that while there were small issues with some of the acoustic numbers, that "on the whole I think they did very well." ==Reception==