Daguerre first publicly announced his invention to the French
Académie des Sciences in January 1839. In early March 1839, a fire destroyed his studio. Daguerre urged the firefighters to let his studio burn, but to save his adjacent house, which contained his laboratory. The daguerreotype apparatus and pictures, documents, and household linen were rescued. His notebook, which contained his experiments, was reportedly found ten days later. However, only 25 daguerreotypes are left which can be definitely attributed to Daguerre. Daguerre showed this image to
Samuel Morse at his studio in March 1839. Morse later described this daguerreotype in a letter that was published in April 1839 in
The New York Times. This image was labelled as having been taken at ''"huit heures du matin" (at eight o'clock in the morning)
and a very similar plate was mounted in the left panel marked as "midi" (midday)
. The triptych was put on display at the Munich Arts Association where it immediately attracted attention, with the Leipzig Pfennig-Magazin
saying of the 8:00 AM image that "there appeared to be a man having his boots polished who must have been standing extremely still."'' The images were stored at the royal palace and later at the
Bavarian National Museum archives, where they gradually deteriorated until, in 1936 or 1937, the American historian of photography
Beaumont Newhall rediscovered them and made reproductions for display in New York. In 1949, he published them in his book
The History of Photography from 1839 to the Present Day. During
World War II, the original daguerreotypes were kept in poor conditions until, in 1970, they were given out on loan to the
Munich City Museum. Restoration was attempted, but ended in disaster, ruining the originals even further. Since then, daguerreotype facsimiles have been reproduced from Newhall's copies. ==Analysis==