Views of the Ports of France

In 1753, Abel-François Poisson de Vandières suggested to King Louis XV that Vernet realise a series of paintings documenting and exalting the harbours of France. The Crown ordered 24 paintings, each paid 6000 Livres tournois, with detailed specifications, such as the foreground representing the activities of the local industry. Between 1753 and 1765, Vernet traveled to ten of the harbours (Marseille, Bandol, Toulon, Antibes, Sète, Bordeaux, Bayonne, La Rochelle, Rochefort and Dieppe), and eventually completed 15 of the intended 24 views. The paintings were exposed at the Salon de peinture et de sculpture, with long descriptions detailing their technical aspects. The series consolidated Vernet's status as a marine painter, and from then on his paintings were highly priced, "worth their weigh in gold" according to Pierre-Jean Mariette, with patrons such as Catherine II of Russia. == Legacy ==

In 1791, Jean-François Hue, himself a student of Vernet's, was tasked to complete the series. Between 1792 and 1798, he completed six paintings representing harbours of Bretagne, known as the Vues des ports de Bretagne. In 1793, the Ports de France were amongst the first works exposed at the "Central Museum of Arts", which would become the Louvre Museum. In 1943, the State Secretary of the Navy requested that the paintings be attached to the Musée national de la Marine; thirteen of the paintings ended up transferring, while the last two remained at the Louvre. The paintings were all shown together in 1976. ==Paintings==

All of the paintings are oil on canvas, with the same dimensions of 165 by 263 cm. ==Notes, citations, and references==

;Notes ;Citations ;References • • Ports de France, Joseph Vernet, musée national de la Marine