While working as a conceptual artist at
Walt Disney Productions, Tim Burton found himself two allies in Disney executive
Julie Hickson, and Head of Creative Development Tom Wilhite. The two were impressed with Burton's unique talents and, while they felt he was not "Disney material", they still thought he deserved respect. In 1982, Wilhite gave Burton $60,000 to produce an adaptation of a poem Burton had written titled
Vincent. Burton had originally planned the poem to be a children's short story book but thought otherwise. Together with fellow Disney animator Rick Heinrichs, stop motion animator Stephen Chiodo and cameraman Victor Abdalov, Burton worked on the project for two months and came up with the six-minute short film. Shot in stark
black-and-white in the style of the
German Expressionist films of the 1920s, Vincent imagines himself in a series of situations inspired by the Vincent Price/Edgar Allan Poe films that had such an effect on Burton as a child, including experimenting on his dog — a theme that would subsequently appear in
Frankenweenie — and welcoming his aunt home while simultaneously conjuring up the image of her dipped in hot wax. Vincent Malloy, the main character in the film, bears a striking resemblance to Tim Burton himself. == Cameos ==