Vincenzo (he preferred Vincenzio) with the soprano
Fanny Goldberg, the tenor
Gaetano Fraschini and the baritone
Filippo Coletti. The
Milan based bi-weekly magazine
Il Pirata in its review praised each song and each singer and documented how many times Battista was called out by the enthusiastic audience. However, a long and detailed article in
Museo di Scienze e Letteratura was less enthusiastic, claiming that Battista was being inspired by the wrong role models, a possible reference to
Verdi. By now his fame was spreading, and his next work,
Rosvina de la Forest (1845), was commissioned by
La Scala in
Milan. His opera
Eleonora Dori (1847) had a book by the leading
librettist Salvadore Cammarano.
Marietta Brambilla created the title role in his opera
Irene (1847), while the soprano
Balbina Steffenone sang in the première of his
Giovanna di Castiglia at the
Teatro San Carlo in Naples in 1863. He set to music
Canto V of
Dante’s
Inferno adapting it to the
soprano tessitura. ==Later years==