Vladimir Vasiliev (dancer)

Vasiliev was born in Moscow in 1940, the son of a mechanical engineer. In 1947, at the age of seven, he joined the amateur ballet group of the Kirov pioneer group, where he stayed two years. His first teacher was Elena Romanovna Rosse. He entered the Moscow Ballet School, commonly known as The Bolshoi Ballet Academy, in 1947 and graduated in 1958, when he joined the Bolshoi Ballet. His teachers at the Moscow Ballet School included Aleksey Yermolayev. ==Career==

Principal Dancer with the Bolshoi Ballet Vasiliev became a principal dancer in 1959 in his second year with the Bolshoi Ballet. Career with Ekaterina Maximova as Kitri in Don Quixote at the Bolshoi Theatre, 1970 Vasiliev and Ekaterina Maximova, both principal dancers, were the dream couple of the Bolshoi Ballet. Dancing as a pair for the first time in 1949 as classmates at the Moscow Ballet School, they were married in 1961. New York Times dance critic Anna Kisselgoff described the excitement of one of Vasiliev's United States performances with the Bolshoi Ballet: "Yekaterina Maksimova and Vladimir Vasiliev burst upon New York City in 1959, the greatest of the passionate young dancers who, with Moscow's more established stars, made the Bolshoi Ballet's American debut a total triumph." The great male dancer Mikhail Baryshnikov recently paid tribute to the couple, saying Maximova, with her "elegant build, beauty, virtuosity and even more so her spontaneity and sincerity", was treated like a "rare treasure" by the indomitable Vasiliev. This gave their performances an almost sacred aura, to which audiences gratefully responded. Vasiliev and Ekaterina Maximova gleaned wide exposure for their appearances in Franco Zeffirelli's filmed version of Giuseppe Verdi's opera La traviata of 1983. Both performed in Spanish costume, Vasiliev as a matador, in the "divertissements" composed for the equivalent of Act II, scene 2. The couple was filmed in 1988 by French director Dominique Delouche in a film portrait “Katia et Volodia". At the end of the 1990s, he was one of the first ballet directors who recognized the class and the outstanding qualities of Svetlana Zakharova, then principal dancer with the Mariinsky ballet. Svetlana Zakharova became a principal dancer with the Bolshoi Ballet in October 2003. Vasiliev was dismissed as director of the Bolshoi Theater on 28 August 2000. He learned about his dismissal from hearing it on the radio. Choreographer Since his exit from the Bolshoi, Vasiliev premiered in the ballet production Lungo Viaggio Nella Notte di Natale, set to Tchaikovsky's music, in Opera di Roma, and continues to choreograph and stage new ballets. ==Legacy==

Vasiliev is not as well known in the west as other iconic male dancers such as Rudolf Nureyev and Mikhail Baryshnikov, because he remained in the Soviet Union and did most of his work there. Nevertheless, his work as a classical dancer is regarded on the same level as both Nureyev and Baryshnikov. Mathias Heymann, who was promoted to principal dancer with the Paris Opera Ballet in 2009 at only 22 years old, told in an interview that he takes inspiration from watching videos of Rudolf Nureyev, whom he regards as his role model, along with Vasiliev and Baryshnikov. Russia's influential ballet critic and choreographer Fyodor Lopukhov called Vasiliev "God of the dance" and "A miracle in art, perfection". ==Performance style==

On stage Numerous roles were created for Vasiliev, and he performed throughout the world, usually partnering his wife. Among the most notable were those created by Yury Grigorovich, who gave him the principal roles in his original productions of The Tale of the Stone Flower, Spartacus, The Nutcracker, the ballet version of Ivan the Terrible, Valery Gavrilin's Anyuta (1982), and Yakov Eshpai's Angara (1976). Besides Maximova, Vasiliev's famous partners included Galina Ulanova, Maya Plisetskaya, Alicia Alonso, Carla Fracci, Rita Poelvoorde and Ambra Vallo. Style Having a body revealing great physical strength, Vasiliev did not embody the ideal physical form for a classical dancer. He made enormous contributions to the development of classical male dance, embodying the strong new Bolshoi male. "You see — at the beginning we do things only as we have seen them done," said Vasiliev at the end of Katia et Volodia, the 1988 film exploring Vasiliev's artistry and that of his wife and fellow Bolshoi luminary, Ekaterina Maximova. "Afterwards, we do them with what we find inside ourselves." ==Honours and awards==

Vasiliev is the first dancer to be given the award "La médaille d'or du meilleur danseur du monde" ("The Gold Medal of the World's Best Dancer") and also the only Grand Prix award winner at the Varna International Ballet Competition since winning the first competition in 1964. Over the years, Vasiliev has received many of the most prestigious Soviet, Russian and foreign prizes, orders and highest awards including the USSR State Prize, Russian State Prize, Order "For Merit to the Fatherland" • 1964 : Grand Prix of Varna at the Varna International Ballet Competition • 1993 : Crystal Turandot Award for theatre arts, along with Ekaterina Maximova ==Filmography==

• Katia et Volodia: : A Portrait in Dance with Ekaterina Maximova and Vladimir Vasiliev, film by Dominique Delouche, 58 min, 1988 ==See also==