Waiting in the Wings (play)

Waiting in the Wings was Coward's fiftieth play. It premiered in Dublin on 8 August 1960 at the Olympia Theatre, and in the West End at the Duke of York's Theatre on 7 September 1960. It was directed by Margaret Webster and starred Sybil Thorndike, Lewis Casson, Marie Lohr and Graham Payn. Binkie Beaumont, who usually presented Coward's plays in London, turned it down as "old fashioned". Michael Redgrave put together "a starry cast led by... an amazing gathering of old actresses, many of whom had been stars when Noel was just starting out." ==Roles and original cast==

• May Davenport – Marie Lohr • Cora Clarke – Una Venning • Bonita Belgrave – Maidie Andrews • Maudie Melrose – Norah Blaney • Deirdre O’Malley – Maureen Delany • Almina Clare – Mary Clare • Estelle Craven – Edith Day • Perry Lascoe – Graham Payn • Miss Archie – Margot Boyd • Osgood Meeker – Lewis Casson • Lotta Bainbridge – Sybil Thorndike • Dora – Betty Hare • Doreen – Jean Conroy • Sarita Myrtle – Nora Nicholson • Zelda Fenwick – Jessica Dunning • Doctor Jevons – Eric Hillyard • Alan Bennet – William Hutt • Topsy Baskerville – Molly Lumley ==Synopsis==

The action of the play takes place in "The Wings" charity home for retired actresses. The Time is the Present. Act I • Scene I. A Sunday afternoon in June The residents of the home discuss a forthcoming charity event for the home, at which a younger generation of stars will perform to raise funds. They are hoping that the funds will allow the home to build a solarium. The other residents break it to May Davenport that her old adversary Lotta Bainbridge will shortly come to live at The Wings. May, furious, vows never to speak to Lotta and retreats to her room. Lotta arrives with her maid Dora. They part, sadly, and Lotta is left alone. • Scene II. Three a.m. on a Monday morning. A month later A group of the residents returns from watching the dress rehearsal for the fund-raising show. They do not think the new generation of performers are up to the standards of their own heyday. Lotta attempts to overcome May's hostility but is rebuffed. Act II • Scene I. A Sunday afternoon in September Perry, the secretary to the charity that runs The Wings, has invited Zelda, a journalist friend, to visit the home. Miss Archie, the superintendent of The Wings, warns him that this will lead to trouble, but he is prepared to risk it for the valuable publicity he expects to attract for the home. The first resident that Zelda encounters is Sarita, whose wits are wandering and who thinks she is still a leading actress. Other residents, unaware that Zelda is from the press, make indiscreetly rude remarks about the charity committee that runs the home. Lotta recognises Zelda and tries to get her to promise not to write about The Wings. • Scene II. Several hours later Sarita accidentally sets fire to her room. Disaster is averted by prompt action by the other residents. In the crisis, May gives a slight hint of rapprochement with Lotta. They slowly become friendly and drink a toast to each other. • Scene III. A week later Zelda has written about the home in her newspaper. Lotta is amused, and May is annoyed, by the story, "Old foes still feuding in the twilight of their lives." Perry comes in. He was sacked for introducing a journalist to The Wings, but he has been reinstated because May has privately prevailed on the committee to excuse him. Sarita, still in a state of serene oblivion to reality, is taken away to be cared for in a mental hospital. Act III • Scene I. The evening of Christmas Day Zelda turns up with a large cheque from the proprietor of her paper, to be donated to The Wings. She also presents a case of vintage champagne for the residents. During the ensuing celebrations, Deirdre, one of the residents, drops dead. • Scene II. A Sunday afternoon in June May and Lotta engage in friendly banter. A visitor, Lotta's son, arrives. His father was Lotta's first husband before her falling out with May. He tries to persuade Lotta to leave The Wings and come to live with him and his wife and children in Canada, but she refuses. The latest new resident is introduced; she was once a music-hall star and the other residents all welcome her by singing her most famous song. ==Critical reaction==

The Broadway version of the play fared a little better with the critics than the original production had, earning mixed reviews. Curtain Up commented: "Good as they are the Wings residents can't transform Waiting in the Wings into the first-rate play it never was (the English production was a flop which persuaded Coward's long-time companion and biographer Graham Payn to retire from the stage)." However, critic John Simon wrote: "A seemingly inconsequential piece... the play is a wise and compassionate address of the problems of aging and death that confront us all." ==References==