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Waldegg Castle

Waldegg Castle, or Schloss Waldegg, is a castle near Solothurn, in the municipality of Feldbrunnen-St. Niklaus of the Canton of Solothurn in Switzerland. It is a Swiss heritage site of national significance.

History
The Baroque castle was built between 1682 and 1686 as a summer house for the Schultheiss Johann Viktor P. Joseph von Besenval (1638–1713) and his wife Maria Margaritha, née von Sury (1649–1713). Over time, the Waldegg Castle, together with the Palais Besenval, developed into one of the main residences of the family von Besenval. House of Besenval: The rise of a family . The family Besenval was originally from Torgnon in the Aosta Valley. They had risen socially in the service of King Louis XIV and had received a title of baron (Reichsfreiherr) of the Holy Roman Empire from Emperor Leopold I in 1695. Furthermore, already in February 1655, Martin von Besenval (1600–1660), Johann Viktor P. Joseph's father, was ennobled by King Louis XIV and raised to knighthood in 1658 in gratitude for his merit for the French Crown. And on 11 August 1726, King Louis XV elevated the von Besenval family's possession of Brunstatt in the Alsace to a French barony. The culmination of the family's ennoblement was the elevation of Martin Louis de Besenval (1780–1853) to the rank of comte by King Charles X on 18 March 1830. The letters of nobility extended to his descendants. Some members of the family also adopted the French spelling of the name, de Besenval. However, the Besenvals' loyalty to the French Crown was also rewarded financially, as reflected in a remark by the French ambassador in Solothurn in 1709 that later became legendary: The French money was a welcome financial boost for the construction of the Waldegg Castle. The Besenvals became rich through the salt trade and the mercenary business with France. A mechanism that was common among mercenary patricians soon set in: Because the Besenvals had influence in their own town, they became important for foreign powers – and because they were valued abroad, their power in turn grew in their own town. Johann Viktor von Besenval (1720). Johann Viktor P. Joseph's son Johann Viktor, Baron von Besenval von Brunstatt, was a diplomat and colonel in the regiment of the Swiss Guards of France. After he inherited the Waldegg Castle in 1713, he had it renovated. Furthermore, he added a theater, commissioned in 1722 and completed in 1736, and a chapel, the Chapel of Saint Michael, commissioned in 1729 and decorated in the current French style, to the castle. He brought numerous works of art back with him from France. Palais Besenval Johann Viktor von Besenval and his brother Peter Joseph (1675–1736) commissioned the construction of the Palais Besenval in Solothurn in 1703. A wedding warmly welcomed by the French Crown of the families de Besenval (quartered shield) and Bielińska. The Barony of Brunstatt is represented by the horseshoe. The silver doe stands for Riedisheim and the silver mermaid for Didenheim, the two other estates of the family de Besenval in the Alsace. Engraving by Ricardo de los Ríos. On 18 September 1716, Johann Viktor married Katarzyna Bielińska (1684–1761), daughter of Kazimierz Ludwik Bieliński, a Polish noble, politician and diplomat. She was also the sister of Maria Magdalena Bielińska, div. Gräfin von Dönhoff, who was the Maîtresse-en-titre of King Augustus II the Strong. A marriage warmly welcomed by Philippe II de Bourbon, Duc d'Orléans, Régent de France between 1715 and 1723, given that Johann Viktor von Besenval was serving as French ambassador to Poland at the time. Death in Paris and a funerary monument by Jacques Caffieri Johann Viktor von Besenval died on 11 March 1736 in his hôtel particulier on the Rue de Varenne in Paris. His funeral took place in the church of Saint-Sulpice, where he was also buried. His funerary monument in the church featured a bust relief made by Jacques Caffieri in 1737. During the French Revolution, his monument, along with those of other representatives of the Ancien Régime, was destroyed. However, an engraving of the monument survives in the Rijksmuseum in Amsterdam. Peter Viktor von Besenval and his heirs '' at the Hôtel de Besenval, by Henri-Pierre Danloux (1791). This portrait of Peter Viktor von Besenval is now on display in the National Gallery. Johann Viktor's son Peter Viktor, Baron von Besenval von Brunstatt, a Swiss military officer in French service, was born at the Waldegg Castle in 1721. When his father died in 1736, he inherited the Waldegg Castle. However, he lived most of his life in France, where he was known as Pierre Victor, Baron de Besenval de Brunstatt, and where, in 1767, he bought the Hôtel Chanac de Pompaodur and made it his residence in Paris. Today the hôtel particulier is known as Hôtel de Besenval. It has housed the Embassy of the Swiss Confederation and the residence of the Swiss ambassador to France since 1938. Peter Viktor rarely stayed in Switzerland anymore. The center of his life was in Paris. Due to his absence, he left the use of the Waldegg Castle to his cousin Johann Viktor Peter Joseph von Besenval (1742–1786) and his wife Maria Anna Margrit, née von Roll (1741–1814). Although he wasn't often in Switzerland, Peter Viktor did add an orangery, the Pomeranzen-Hause, to the castle in 1780. The French Revolution: The beginning of the end of an era The French Revolution of 1789 was disastrous to the family's influence, business interests and wealth. Although all the family members survived the terror of the French Revolution, their close ties to the French royal family and other high-ranking members of the Ancien Régime made life more and more difficult for them in France. Death in Paris without a legitimate heir (1820). The portrait is on display in the Nationalmuseum. After the death of Peter Viktor von Besenval in 1791, who was in fact not childless but had no legitimate heir, the Waldegg Castle, which was a Fidéicommis and could therefore only be passed on in the immediate family, went to the firstborn son of his cousin Johann Viktor Peter Joseph, the minor Ours Joseph Augustin von Besenval (1777–1831). It would later fall to Ours Joseph Augustin von Besenval to handle the increasingly precarious financial circumstances of the family von Besenval after the French Revolution, which led to the loss of their once considerable French income. Years later, on 18 October 1830, the precarious financial situation led to Ours Joseph von Besenval marrying his only daughter and universal heir Marie Louise Emélie (1804–1838) to her first cousin Amédée de Besenval (1809–1899). Amédée was the eldest son of Ours Joseph von Besenval's brother Martin Louis de Besenval, first Comte de Besenval (1780–1853), and Anne Caroline, née von Roll (1786–1829). In order to avoid dispersal of the family heritage, marriages between cousins often occurred within the family von Besenval, but these led to a weakening of the line of descent due to excessive consanguinity. The result was increasing signs of degeneration. The sale of the baron's furniture to the Swiss Confederation from the Waldegg Castle in 1938: One of the six chairs from the Baron de Besenval's original furniture ensemble is visible in the window niche in the Salon de la tapisserie. On 19 May 1938, the Swiss Confederation purchased the Hôtel de Besenval in Paris as the country's new legation building. In the same year, the Swiss Government bought from the patrician family von Sury, the then owners of the Waldegg Castle, a sofa and six chairs, covered in beige fabric and embroidered with scenes from the fables of Jean de La Fontaine, except for the sofa, which is covered with a pattern of flowers and birds. According to oral tradition, the sofa and the six chairs once belonged to Peter Viktor von Besenval and were part of the furnishings of the Hôtel de Besenval. It is said that the baron sent these pieces of furniture, along with other pieces of furniture and works of art, to Switzerland shortly before the French Revolution. In a photo from the 1920s, the six chairs are placed in the Salon de Besenval at the Waldegg Castle. Today the furniture ensemble is on display at the Hôtel de Besenval in the Salon de la tapisserie. The entire furnishings that remained at the Hôtel de Besenval after the baron's death in 1791 were auctioned in Paris on 10 August 1795. Therefore only the pieces that the baron had sent to Switzerland, to the Waldegg Castle, before the French Revolution, or pieces that he left to his family in Solothurn in his will, such as family portraits, remained in the family's possession. However, these were only a few pieces, mostly with a family connection. His son Joseph-Alexandre Pierre, Vicomte de Ségur, also kept some pieces of furniture in memory of his father, as well as his father's portrait, painted by Henri-Pierre Danloux in 1791. In his will dated 18 May 1804, the Vicomte de Ségur bequeathed the remaining furniture of the Baron de Besenval to his partner and mother of his son, Alexandre Joseph de Ségur (1793–1864), Reine Claude de Mesmes d'Avaux, Comtesse d'Avaux, née Chartraire de Bourbonne, Dame de Bourbonne-les-Bains (1764–1812). The Federal Council's plans for the field fortifications at the Waldegg Castle was not amused with the attitude of the government of the city of Solothurn. In order to protect the entire region, he wanted to convert the Waldegg Castle into a fortress. In the 1850s, the Swiss Federal Council, especially Federal Councillor Ulrich Ochsenbein, was seriously concerned about the defense capability of the Solothurn region, because the city set about demolishing its old 18th-century fortifications. This prompted Ulrich Ochsenbein to reprimand the city authorities, which, however, did not impress them at all. The demolition of the old fortifications continued. This in turn prompted Federal Councillor Ulrich Ochsenbein, after consulting General Guillaume Henri Dufour, to demand the restoration of the old fortifications or to build new field fortifications, including in the area of the Waldegg Castle. Accordingly, the corresponding plans were drawn up on behalf of the Federal Council. The new owner of the Waldegg Castle had it renovated and added two apartments. Furthermore, he changed the Baroque garden into an English landscape garden. However, the alterations to the garden were reversed during subsequent renovations in the late 1980s and early 1990s. The historic Baroque garden with its obelisks and figures was reconstructed. ==Architecture: The castle and its surroundings==
Architecture: The castle and its surroundings
by Nicolas Perignon with dedication to Pierre Victor, Baron de Besenval, around 1785. The Waldegg Castle was built in the local Türmlihaus style, meaning a house with many towers, relative to its size. The architectural influences of the French and Italian Baroque are clearly visible. In the first construction phase in the 17th century, the rectangular wing – the corps de logis, designed by an unknown architect – was built with three tower-like pavilions facing the garden. Between these towers are two three-bay sections, each crowned with a gable. From 1689, after Johann Viktor P. Joseph von Besenval (1638–1713) was appointed Schultheiss of the Republic of Solothurn in 1688, long, single-floor galleries were added on both sides of the corps de logis, at the ends of which are corner turrets, a kind of small pavilions. At the beginning of the 18th century, these single-floor galleries were heightened by one floor. These first floor galleries were formerly used as loggias. Niches in the galleries house allegorical statues which were carved in 1683 by Johann Peter Frölicher (1662–1723). These statues originally adorned as free-standing figures the roof cornice of the two once single-floor galleries. The coat of arms symbols of the family von Besenval can be seen in and around the castle. In the central axis of the corps de logis on the south façade, there is the coat of arms of the family von Besenval in stucco. And horseshoes, the symbols of the coat of arms of the Besenvals' Barony of Brunstatt, adorn the red and white shutters of the corps de logis. Smaller than it actually seems: A façade castle . Also visible are the original single-floor galleries with the sculptures on their balustrades, as well as the original baroque gardens with the obelisks and the gilded balls on their tops. The Waldegg Castle is also known as a façade castle or a coulisse castle because the two expanded wings of the building to the left and to the right of the corps de logis only consist of galleries with balusters, which serve as connecting corridors, leading to the corner turrets, the small pavilions. Originally these corner turrets had imperial roofs (bulbous roofs, also called onion domes). Behind the galleries with their large windows with usually closed shutters, however, there are no parts of the building. Especially from the distance, these galleries make the castle appear much larger than it actually is. This castle architecture was particularly popular in Italy, where such extensive country house façades also served as backdrops for the popular garden festivals. However, the façade also clearly reflects the representative claim to power of its builder. All in all, the façade measures 78 meters. This makes it the longest baroque castle façade in Switzerland. In contrast, the corps de logis is only 13.5 meters deep. Behind the façade The windows of the galleries provide a clear view of the rear courtyard of the building, the north side, with the less glamorous courtyard façade, where the farm buildings are also located, as well as one of the two chapels. This chapel was dedicated to Saint Michael in honour of Katarzyna Bielińska (1684–1761), the Polish wife of Johann Viktor von Besenval. Great hall and salons on the ground floor The Great hall, also called Salon de jardin, of the Waldegg Castle has ten allegorical paintings of the Arts and Sciences painted in 1734 by the Parisian painter Sébastien Le Clerc (1676–1764) and his workshop. In addition, there are paintings with landscape scenes and hunting still lifes painted in the trompe-l'œil style. The Salon de jardin also served as the dining room from the 19th century. The eastern salon, the Salon de Besenval, has a grisaille style ceiling fresco. The fresco shows the various coats of arms of the different estates of the family von Besenval as well as a noble crown, which together form the coat of arms of the family von Besenval. The western salon, the Salon des Ambassadeurs, has a trompe-l'œil style ceiling fresco. The fresco from around 1690, attributed to the local painter Michael Vogelsang (circa 1663–1719) and his workshop, shows a wide sky with an ornate balustrade framing the sky. Bel étage The first floor, with a room height of almost four meters, is the main floor of the castle, the Bel étage. The two main rooms on the first floor, the master bedroom and the reception room, are located in the middle wing, the Avant-corps. Both rooms have ceiling paintings from around 1685. The ceiling painting in the master bedroom is dedicated to love. The central medallion shows Venus and Mercury. Cupid can be seen in the four corner medallions. The family von Sury later set up the billiard room here. The second room was the main reception room of the family von Besenval. This room shows the highest quality ceiling painting in the entire castle. It shows a trompe-l'œil style dome architecture. In contrast to the other ceiling frescoes, which are painted using the lime casein technique, this ceiling fresco is the only one in the castle that is painted in oil. This reception room was originally decorated with leather wallpaper. The library of the family von Besenval was also on the first floor. In 1763, however, the library was converted into a salon. Today this room is called the Salon bleu. Two chapels – one in honour of Katarzyna, Baronne de Besenval in her honour. Saint Michael is a very revered saint in Poland. Portrayed by Nicolas de Largillière (1720) The completion of the Chapel of Saint Michael took forever. This is also because they were unlucky with the craftsmen. Johann Viktor von Besenval's brother, who supervised the construction work in his absence, reported to him: Garden, park and allée At around 1700, Johann Viktor P. Joseph von Besenval still carried out major transformations on the south side of the castle by replacing the panoramic platform of the parterre with a staircase and a fountain. The south portal also dates from this period. He also planted the 600 meter long allée leading to the road to Basel. The allée, partially lost over time, was reconstructed in 1988 with Tilia platyphyllos trees. In 1705, Johann Viktor P. Joseph acquired a plot of forest from the authorities in order to expand his estate. He developed it into a baroque park and a formal garden. ==Gallery==
Gallery
File:Schloss waldegg.JPG|Waldegg Castle, surrounded by its estate land. The 78 meters long façade unfolds its effect of a coulisse File:Schloss Waldegg Feldbrunnen.jpg|Waldegg Castle, panoramic view File:Schloss Waldegg, Solothurn - panoramio.jpg|Waldegg Castle in winter ==References==
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