Walking on the Chinese Wall

|left In 1982, after having studied Chinese arts and literature at Columbia University, Seeman went on a tour of China, where she walked on the Northern Juyongguan Gate of the Great Wall outside of Beijing. Upon Hughes' return, they began a partnership and bought recording equipment. The first song Hughes composed on the Oberheim OB-8 synthesizer and DMX drum machine was inspired with a feeling of the East. For the lyrics, Hughes asked Seeman to "write me something Chinese". Seeman, who had written "Sailaway" with Philip Bailey for Earth, Wind & Fire's Faces album, called Bailey in Denver, Colorado, to tell him about the song before flying with Hughes to New York. One year before, while in London with Earth, Wind & Fire on a European tour, Bailey had met Phil Collins and talked about the possibility of working together. Bailey asked Seeman and Hughes to meet him with a chord chart at JFK airport, where he would be changing planes on his way to London to record with Collins at The Townhouse. At the airport, Hughes gave Bailey the chord chart, written out with a gold-ink pen, and Seeman gave Bailey a cassette of the song, along with the Sony Walkman it was in. Asked about how the album got its name, Bailey explained: {{Blockquote == Inspiration, composition and lyrical interpretation ==

coins|left In writing the lyrics, Seeman drew from her studies, making symbolic references to literature, art and philosophy in Chinese culture. The following verse "By the stream, stretching on the rocks, tiger on the mountaintop" creates a yin and yang visual of mountains and water, and of the majestic tiger, symbolic of power, luck, and protection, leading the way into the chorus. The story follows a stone "From the sky above" in the Nonesuch Bluff begging a Taoist priest and Buddhist monk to bring it down to the Red Dust, to know life on earth. Granting the wish, a boy named Pao-yu is born with a jade stone in his mouth, beginning its earthly existence and the "ancient tales of Chinese love" inside the red chambers of the Jia family compound. == Recording ==

Bailey arrived in London on May 8, staying at The Bramley Grange Hotel in Guildford for two months. Nathan East, bass, and Lessette Wilson, keyboards, also came from the US to record. Guitarist, Daryl Stuermer, played electric and acoustic. Phil Collins played drums, LinnDrum and keyboards. The album "Chinese Wall" was recorded at the Townhouse Studios in London. The horns were recorded at Ocean Way Recording in Hollywood. Bailey described his experience: ==Critical reception==

The song received critical acclaim from music critics. Writing for The Voice, music journalist Nelson George praised the song in his album review: "The centerpiece is the title cut...inspired by a passage in Dream of the Red Chamber, an 18th century Chinese novel." He described the imagery of the lyrics as "exotic and graceful", quoting "Come down the clouds to the sea of flames/From the mountain hear the cry of pain". George commented on "the mesh of Daryl Stuermer's acoustic and electric guitars, Lessette Wilson's keyboards and the Phenix Horns" as being as "exotic and graceful" as the imagery of the lyrics, and of the vocal interpretation: "Bailey uses his heavenly falsetto in counterpart to his Maurice baritone for a mix of philosophical meditation and street-corner logic." Playboy praised the song: "the best collaboration of the two Phils is on the album's title cut, which sounds - believe us - like Earth, Wind & Fire and Genesis all in one song." For The Washington Post, Joe Brown wrote: "Bailey's falsetto soars ethereally (and sometimes scrapes earthily) over Collins' glistening wall of exotic percussion and electronic textures" and called the song "otherworldly". The Gavin Report features "Walking on the Chinese Wall" on Dave Sholin Personal Picks on March 15, 1985: "throw away the cookie cutter 'cause here's something totally new. Title song from Bailey's LP ... has a little bit of everything for everybody. ... Phil Collins' influence as producer comes through loud and clear". Cashbox magazine describes the song as a "slow grooving track which has all the instrumental earmarks of Collins' deft hand. Big drum sound, punch horns and a breezy chorus melody all contribute to this gem…majestic vocals and arrangement". Tom McCarthey of The Salt Lake Tribune wrote: "it is 'Walking On The Chinese Wall' that rises above the rest...horns, soulful vocals, rich instrumental textures and an Oriental feel that makes it a winner". Billboard magazine described: "Bailey recalling Van Morrison in the poetic 'Walking On The Chinese Wall'". John Griffin of the Montreal Gazette praised the song for "Bailey's tremendous vocal talent". Paul Sexton of Record Mirror described the recordings as "very rock-rooted...with plenty of Collins hallmarks". William Ruhlmann of AllMusic said the tune "better represent(s) Bailey's ability to handle a variety of material from ballads to techno dance tracks with his elastic falsetto." Lou Papineau of the Boston Globe described "Walking on the Chinese Wall" as "atmospheric". Volker Thormaehlen of NDR Hamburg predicted "Walking on the Chinese Wall" as a "sure hit" in April 1985. Music & Media included the video clip on its video hits list on May 13, 1985. Eric Schafer of Press & Sun-Bulletin commended Bailey's wonderfully emotive delivery, writing "He can paint a breathtaking picture with it…the words float by in beautiful colors." ==Music video==

The video for "Walking on the Chinese Wall" was directed by Duncan Gibbins. It was produced by Beth Broday and Steven Buck. Filming took place in the Santa Monica Mountains in an attempt to capture the "natural mystery and age-old beauty of the Chinese countryside." Greg Burliuk of The Kingston Whig-Standard described the music video as “a visually beautiful and sensual rendition” Marianne Meyer for The Chilliwack Progress described “stylized clip features former Earth, Wind & Fire vocalist amid a dream-like collage of Oriental workers, the proverbial Chinese wiseman, falling I Ching pieces and martial arts-like dancers.” Lydia Kolb On Videos for The Paducah Sun wrote "very oriental…scenes of martial arts, I Ching, farming and Chinese extras dressed in their native attire make for a magical video…the music flows with the visual" == Personnel ==

• Philip Bailey – lead and backing vocals • Phil Collins – keyboards, drums, LinnDrum, backing vocals • Lesette Wilson – keyboards • Daryl Stuermer – guitars • Nathan East – bass • Josie James – backing vocals • The Phenix Horns – horns • Don Myrick – saxophone • Louis Satterfield – trombone • Rahmlee Michael Davis – trumpet • Michael Harris – trumpet • Tom Tom 84 – horn arrangement • George Massenburg – engineer, mixing • Phil Collins – producer • Tony Lane and Nancy Donald – art direction and design • Ellen Land-Weber and Randee St. Nicholas ==Chart performance==

The song received significant airplay, especially in Europe. In May 1985, it debuted on the European Airplay Top 50 chart on position #33 and peaked at #13. Walking On The Chinese Wall debuted at #76 on the European Top 100 Singles chart. ==Televised performances==

• Black Gold Awards (1985) • American Bandstand • Solid Gold • Rose d’Or, Montreux Rock festival == Cover versions ==

September 25, 2004, Alicia Keys headlined the Wall of Hope concert on the Northern Gate Juyongguan section of the Great Wall of China, commemorating the 20th anniversary of the Great Wall of China's restoration project. Sylvia Tosun, Nellie McKay and Cyndi Lauper performed the song live as a trio. Bailey's recording of "Walking on the Chinese Wall" was the finale of the event. ==References==