(1287–1354) The area is well known in
Chinese history and
literature. "Dongting" literally means "Grotto Court", and the lake was named for the huge hall or cavern, which was believed to exist beneath the lake, where the spirits of the Sage-King
Shun's wives
Ehuang and Nüying were said to be the rulers of this grotto, which was claimed to have underground passages opening to all parts of the empire. Dragon boat racing is said to have begun on the eastern shores of Dongting Lake as a search for the body of
Qu Yuan, the Chu poet (340–278 BC), and a
dragon-king is said to live at the bottom of the lake. The scenery of the
Jiuyi Mountains and of the Xiao and Xiang rivers below is often mentioned in
Chinese poetry. The
late Tang dynasty poet Yu Wuling is supposed to have been fond of the scenery of Dongting Lake. During the
Song dynasty, it became the fashion to paint this region's scenery in a set of eight scenes, usually entitled
Eight Views of Xiaoxiang. It is also said that
Han Shizhong settled in the region after retiring from military service. The fashion spread to
Japan, where eventually other famous places were substituted for the Xiao and Xiang rivers. One of the famous ponds based on the geography of the lake is at the
Daikaku-ji in Kyoto.
Qu Yuan traveled by boat from Dongting Lake to Nanhu Lake and the Canglong River (also known as the Wangjia River), journeying through the heartland of Baling. When his boat reached Jiazi Mountain, he saw the mountain covered in bright yellow oranges. He joyfully climbed the mountain and wrote the famous poem "Ode to the Orange" (橘颂). Later generations built the Orange Ode Pavilion on Jiazi Mountain in Yueyang City to commemorate Qu Yuan. Moved by the natural beauty of the landscape, Shun ascended the mountain and gazed out over the vast lake. There, he personally performed the Shao Music. As he reached the ninth movement, an extraordinary phenomenon occurred: a dragon emerged from the depths of Dongting Lake and began to soar among the clouds, while a phoenix appeared gracefully gliding over the lake's surface. The two mythical creatures—symbols of cosmic balance and imperial authority—danced in harmony to the rhythm of Shun's music. Witnessing this scene, Shun's loyal minister Cangshu (倉舒) exclaimed: The spectacle was interpreted as a divine omen, symbolizing unity between Heaven and Earth. Since then, the phrase "dragon and phoenix bringing prosperity" (龍鳳呈祥) has been used in Chinese culture as a traditional expression of good fortune, national peace, and bountiful harvests.
The Carp Leaps Over the Dragon Gate According to legend, the immortal
Lü Dongbin once passed by Dongting Lake and decided to enlighten the aquatic creatures dwelling within its waters. Upon hearing of his arrival, the fish of the lake gathered to see him. To test their worthiness, Lü Dongbin set a condition for enlightenment: he commanded the dragon he was riding to form a Dragon Gate. Any creature that could leap over this gate would be transformed into a dragon and granted immortality. Eager to ascend, the fish tried one by one to leap over the gate. However, the Dragon Gate stood far too high, and despite their efforts, each fell back into the lake, injured and defeated. Among them was a large red carp, residing more than a mile away. Upon hearing of the challenge, it swam swiftly toward the site. Summoning all its strength, the carp launched itself like an arrow shot from a bow. Amidst swirling wind and rain, it soared high into the air above Dongting Lake, successfully clearing the Dragon Gate before plunging back into the water. In the blink of an eye, the carp transformed into a majestic dragon.
The Pearl Maiden and the Ninth Dragon Son According to local folklore, an immortal clam residing in Dongting Lake, said to be ten thousand years old, produced an offspring known as the Pearl Maiden. She was distinguished among the lake's aquatic population for her exceptional beauty, as well as her notable kindness, intelligence, and hardworking character. The narrative takes a dramatic turn with the introduction of the Bashe, a grotesque and malevolent water monster who became infatuated with the Pearl Maiden and made persistent attempts to force her into marriage. The maiden, however, had already given her heart to the Ninth Dragon Son, who was the youngest son of the region's Dragon King. The prince was a popular figure, respected for his courage, pleasant demeanor, and helpfulness. The monster reacted to the Pearl Maiden's polite but firm rejection with violent fury. It created a massive storm on the lake and began to consume both the local fauna and human populations. In response to this crisis, the Dragon King orchestrated a two-part solution: he instructed his son and the Pearl Maiden to hide near the Wangjia River while simultaneously summoning the mythological hero
Hou Yi to subdue the monster. Hou Yi successfully neutralized the threat, first by striking Bashe with an arrow and then slaying it. The creature's remains are said to have formed a hill that is now known as Baling. The Ninth Dragon Son and the Pearl Maiden ultimately chose to remain by the Wangjia River, where they fell in love and raised a child, preferring a peaceful life over a return to the Dongting Dragon Palace. Over time, the Pearl Maiden transformed into Pearl Mountain, while the Ninth Dragon Son became the Canglong River (also known as the Wangjia River), and they remain together, watching over one another for all time. ==Environmental issues==