Development Rumors of a potential
Watchmen television series adaptation first came about in October 2015, with
HBO in preliminary discussions with
Zack Snyder, who directed the 2009
film adaptation of the original graphic novel. HBO later confirmed that they were seeking to develop a
Watchmen series in November 2015. By June 2017, HBO had begun negotiations with
Damon Lindelof, as Snyder was no longer involved with the production. According to Lindelof, he had been long interested in making a
Watchmen work since he read the comic as a teenager, and had been approached to write it at least twice before, but rejected the offers as they came out shortly following Snyder's film and felt he could not improve on that. In the interim, he developed the HBO series
The Leftovers that ran from 2014 to 2017.
The Leftovers was met with high acclaim, and led to yet another offer to write a
Watchmen series, which Lindelof then accepted. The following day, HBO officially greenlit the production for a pilot and additional backup scripts as well.
Nicole Kassell was announced as the director and executive producer for the Lindelof pilot on January 30, 2018. The pilot was filmed around June 2018 in locations around Atlanta, Georgia. Due to the time between filming the pilot and the remaining episodes, a new production crew had been brought on board, and Kassell remained the director for the second episode to provide necessary continuity. The series' premiere date, October 20, 2019, was announced on September 3, 2019. The show's credits identify the work as based on characters co-created by
Dave Gibbons, who along with
Alan Moore created the
Watchmen comic. Due to multiple disputes with
DC Comics and the producers of previous films, Moore has asked for his name to be no longer associated with any film production of his works from that period, including for the
Watchmen film. Gibbons, however, was an active contributor to the show, providing illustrations in the same style as the original comic series. Lindelof tried to reach out to Moore to get his blessing for the show, but was rebuffed. In 2022, Moore claimed Lindelof had sent him a letter that he described as "neurotic rambling", including Lindelof identifying himself as "one of the bastards currently destroying
Watchmen". Moore said he replied with a request to not contact him as he did not wish to be associated with the adaptation.
Writing Lindelof stated that his vision for the series was to be a "remix" of the comic series. While the show is a
sequel to the comic, he wanted to make a story of his own that felt part of that universe without creating a
reboot, and made sure that this was apparent from the first episode. He affirmed this idea in an open letter to fans posted on May 22, 2018. One of the first challenges for Lindelof was determining what the focus of the narrative would be. He considered that at the time the original
Watchmen comic was released, it reflected on the public anxiety over the ongoing
Cold War. In looking for a similar anxiety for contemporary times, Lindelof determined that
racial tensions posed the same type of larger picture that would work well for the
Watchmen universe, since it presented both historical and present conflicts. He also felt "to not tell a story about race in the context of a political text in 2019 almost felt borderline irresponsible". Establishing racism as a central theme, Lindelof assembled a purposely-diverse writing staff, with half the writers being black, and half being female, to help provide proper perspective towards these issues. in the Greenwood district, which resulted in the deaths of over 150 black people, was a central moment in
Watchmens narrative. Lindelof opted to open the pilot on the 1921
Tulsa race massacre, an event that he became aware of after reading
The Atlantic article "
The Case for Reparations" written by
Ta-Nehisi Coates in 2014. Lindelof, curious about the massacre, found there was very little information about it, and strove to learn more. Many aspects of the plot center on the legacy of the graphic novel and the event. This was around the time that he had been approached again to write for the
Watchmen series, and felt the massacre and its implication for the alternate reality's present would provide an equivalent factor that the
Doomsday Clock had been for the original comic series, and used racial conflict as a central element of the series. He believed it would also help more people learn about the 1921 event, and made sure it was represented accurately, including the representation in how aerial attacks were used to bombard the
Greenwood district. Lindelof had conceived of Angela as the central character that everything revolves around, with the discovery that her grandfather Will, a black man, was one of the first costumed heroes, Hooded Justice, shown only in a few panels from the original comics. Hooded Justice's identity was never established in the original comic series, and Lindelof's suggestion that he was a black man created a challenge for the writers. One of the first tasks the writing staff had was to determine how Will would become Hooded Justice, effectively establishing the plot to the sixth episode "
This Extraordinary Being". Lindelof used his experience from his past shows to plot out the season prior to writing, stating "What I've learned over time is you need to know the answers to the mysteries...If you don't know those, you're lost. Every time you come to an intersection, you won't know whether to turn left or right." The writers had established some of the season's key mysteries in writing for the pilot, such as Hooded Justice being Will Reeves and Cal being Doctor Manhattan, but how these were to be revealed to the characters in the show and the audience came later in the writing process. A show-within-the-show,
American Hero Story, was used to tell the purported backstory of Hooded Justice. Writer Cord Jefferson said
American Hero Story was meant to be the opposite to what they were creating for the actual show, a "cheesy" production that perpetuated the in-universe myth of Hooded Justice being a white man.
Casting On May 23, 2018, it was announced that
Regina King,
Don Johnson,
Tim Blake Nelson,
Louis Gossett Jr.,
Adelaide Clemens, and
Andrew Howard had joined the cast of the pilot. At least one of the actors was expected to have been cast in a potentially recurring role. In June 2018, it was reported that
Jeremy Irons,
Tom Mison,
Frances Fisher, Jacob Ming-Trent,
Yahya Abdul-Mateen II, and
Sara Vickers had been cast in the pilot. On August 7, 2018, it was announced that Dylan Schombing, Adelynn Spoon, and Lily Rose Smith had joined the pilot's cast. In November 2018, it was reported that
Jean Smart had been cast in a starring role and that
James Wolk would appear in a recurring capacity. Additionally, it was confirmed that Irons would portray
Adrian Veidt / Ozymandias, that Nelson would portray a newly devised character named Looking Glass, and that Vickers and Mison would join the cast. In January 2019, it was announced that
Hong Chau and
Dustin Ingram had been cast in recurring roles.
Sigourney Weaver was offered the role of Laurie, but turned it down, Smart thanked Weaver for declining. The performances of the cast during the pilot and other scenes influenced later episodes in the show's writing. When filming Irons for the pilot, Lindelof and his team found he took the character of Veidt in a comedic direction, something not suggested by the original comic series. They recognized that this was "a slightly absurd and ridiculous treatment of the character" that worked for Veidt's role within the show, and stuck with it in writing the later episodes. While reports in July 2019 suggested that actor
Robert Redford would play a fictionalized version of himself in the series, Lindelof affirmed later that the real Redford would not be appearing in the show; the use of Redford is a tribute to the closing pages of the original comic where it is suggested that Redford was positioning himself for president, in much the same way actor
Ronald Reagan became president. In considering the series music, Lindelof had considered using Reznor and Ross as they had not composed for television before. By coincidence, when Lindelof suggested the pair to HBO, HBO reported that the two had been in contact with the network about doing the music just a few days prior, as they were big fans of
Watchmen. Reznor and Ross had already prepared pieces for the pilot episode prior to filming, allowing Lindelof to better incorporate it into the pilot. Reznor and Ross released three albums of music from the show on both vinyl albums and through streaming services. the
second on November 25, and the
third on December 16, 2019. In addition to new compositions, the show employed licensed music selected by music supervisor
Liza Richardson. Similar to how music and lyric references were employed in the original comic series, the soundtrack's song titles and lyrics frequently tied in with narrative elements of the show. For example, several songs from the musical
Oklahoma! are used, given the show's setting in Tulsa. "
A God Walks into Abar", in which the blue-skinned Doctor Manhattan is introduced, used a number of songs themed around the color blue, such as "
Rhapsody in Blue" and "
The Blue Danube". The final episode "
See How They Fly" incorporates many of the unusual phrases from
the Beatles' "
I Am the Walrus" into its visual elements.
Filming in Wales was used for the scenes with Veidt.
Principal photography for the pilot commenced May 30, 2018, and lasted through June 19, 2019, in
Cedartown, Georgia. Filming began on the 97th anniversary of the start of the riots during the second day of the production schedule on May 31. Throughout the month, filming occurred in additional Georgia cities and towns, including
Macon,
Fayetteville,
Newnan,
Palmetto,
Brooks, Griffin, Georgia and
Tucker. In October 2018, filming for the remainder of the first season began in Georgia. Filming locations that month included Palmetto,
Brookhaven,
Peachtree City,
Decatur, and the
MARTA station in
Chamblee. In November 2018, shooting moved to locales such as Palmetto, Chamblee,
McDonough, and the
West Lake MARTA station. In December 2018, the production was working out of
Union City,
Newnan, and the
Georgia World Congress Center. Interior shooting was filmed at
Atlanta Metro Studios in Union City. Filming of the country manor scenes was treated as a separate production, similar in nature to the
Tales of the Black Freighter comic narrative within the original
Watchmen graphic novel. Filming of these scenes took place in September 2018 in
Wales at
Penrhyn Castle. These were completed before most of the remaining episode scripts were finished, according to actor Tom Mison. According to Lindelof, these scenes are "the idea is doing an escape story with Adrian Veidt that's more like
Wile E. Coyote and the Road Runner than it was like
Escape from Alcatraz, that felt too delicious to not do". Until the third episode, HBO did not identify Irons' character as Veidt, but only as "Lord of a Country Manor". Lindelof chose to keep Veidt's identity a secret in part to avoid having the show be considered a sequel of the comic, as well as in keeping with the storytelling mystery used by the comic, in which the identity of Rorschach is not revealed until midway through the series.
Marketing The first teaser for the series, named "Tick Tock", first aired on May 8, 2019. With release of each episode, HBO released additional content on a special site named "Peteypedia", a collection of files written in-universe by Dale Petey and from other excerpts. Peteypedia was developed after most of the filming was completed, with writer
Jeff Jensen overseeing it. The writing team were aware they had developed too much information that would fit into the broadcast show and debated how to present this, including as post-credit scenes or through
social media. At the same time, HBO was working with Reznor and Ross on how to release the albums and were considering including additional
liner notes in the vinyl releases, which included the additional background material the writers had developed. This led to creating reports and clippings similar to those presented in the original
Watchmen comic, and presenting this as part of Peteypedia. Peteypedia allowed them, for example, to explain Laurie's trajectory from being the second Silk Spectre and fighting crime with Nite Owl at the end of the comic series, to becoming an FBI agent, elements of this that they had written briefly into the show but did not have broadcast time to spell out. Lindelof created the first season to be a complete story, in the same manner that each season of
Fargo and
True Detective were each self-contained stories. Following the broadcast of the season one finale, Lindelof still said that the story he told during the season was everything he could put forward about
Watchmen, with a definitive beginning, middle, and end. However, he agreed with HBO that
Watchmen should be treated as a continuing series, and did not rule out returning, but would want to have time to develop a similar complete story before committing. By January 2020, Lindelof stated he had passed on a second season but gave his blessing to anyone that followed him as showrunner. HBO's programming chief Casey Bloys stated with regards to a second season that "[i]t would be hard to imagine doing it without Damon involved in some way", while not altogether dismissing the possibility of the concept of one. Due to this, HBO reclassified
Watchmen as a limited series in February 2020, with the potential for additional installments. In October 2020,
DC Comics began publishing the
comic book limited series Rorschach, written by
Tom King, drawn by Jorge Fornés, and explicitly set after the events of the HBO series, with the events of the final episode being mentioned in its first issue. == Broadcast and distribution ==