Gestures have been studied throughout time from different philosophers.
Marcus Fabius Quintilianus was a
Roman Rhetorician who studied in his Institutio Oratoria on how gesture can be used on rhetorical discourses. One of his greatest works and foundation for
communication was the "
Institutio Oratoria" where he explains his observations and nature of different oratories. A study done in 1644, by
John Bulwer an
English physician and early
Baconian natural philosopher wrote five works exploring human communications pertaining to gestures. Bulwer analyzed dozens of gestures and provided a guide under his book named Chirologia which focused on hand gestures. In the 19th century,
Andrea De Jorio an Italian
antiquarian who considered a lot of research about
body language published an extensive account of gesture expressions.
Andrew N. Meltzoff an American psychologist internationally renown for infant and child development conducted a study in 1977 on the imitation of facial and manual gestures by newborns. The study concluded that "infants between 12 and 21 days of age can imitate the facial and manual gestures of parents". In 1992,
David Mcneill, a professor of
linguistics and
psychology at the
University of Chicago, wrote a book based on his ten years of research and concluded that "gestures do not simply form a part of what is said, but have an impact on thought itself." Meltzoff argues that gestures directly transfer thoughts into visible forms, showing that ideas and language cannot always be express. A peer-reviewed journal Gesture has been published since 2001, and was founded by
Adam Kendon and
Cornelia Müller. The International Society for Gesture Studies (ISGS) was founded in 2002. Gesture has frequently been taken up by researchers in the field of dance studies and performance studies in ways that emphasize the ways they are culturally and contextually inflected. Performance scholar Carrie Noland describes gestures as "learned techniques of the body" and stresses the way gestures are embodied corporeal forms of cultural communication. But rather than just residing within one cultural context, she describes how gestures migrate across bodies and locations to create new cultural meanings and associations. She also posits how they might function as a form of "resistance to homogenization" because they are so dependent on the specification of the bodies that perform them. Gesture has also been taken up within
queer theory,
ethnic studies and their intersections in
performance studies, as a way to think about how the moving body gains social meaning.
José Esteban Muñoz uses the idea of gesture to mark a kind of refusal of finitude and certainty and links gesture to his ideas of ephemera.
Muñoz specifically draws on the African-American dancer and
drag queen performer
Kevin Aviance to articulate his interest not in what queer gestures might mean, but what they might perform. Juana María Rodríguez borrows ideas of
phenomenology and draws on Noland and Muñoz to investigate how gesture functions in queer sexual practices as a way to rewrite gender and negotiate power relations. She also connects gesture to
Giorgio Agamben's idea of "means without ends" to think about political projects of social justice that are incomplete, partial, and legibile within culturally and socially defined spheres of meaning. Since the late 1990s, most research has revolved around the contrasting hypothesis that Lexical gestures serve a primarily cognitive purpose in aiding the process of speech production. As of 2012, there is research to suggest that Lexical Gesture does indeed serve a primarily communicative purpose and cognitive only secondary, but in the realm of socio-pragmatic communication, rather than lexico-semantic modification. ==Typology (categories)==