Viewership TVision, using its Power Score to evaluate
CTV programming through viewership and engagement across over 1,000 apps, calculated that
We Were the Lucky Ones was the fourth most-streamed series from March 25–31.
Luminate, which gathers viewership data from certain
smart TVs in the U.S, announced that
We Were the Lucky Ones was watched for 147.2 million minutes from March 29 to April 4.
Critical response The
review aggregator website
Rotten Tomatoes reported a 95% approval rating with an average rating of 8/10, based on 22 critic reviews. The website's critics consensus reads, "Equal parts harrowing and life-affirming,
We Were the Lucky Ones is a sensitively told tale of perseverance given tear-inducing heart by its wonderful ensemble."
Metacritic, which uses a weighted average, assigned the limited series a "generally favorable" score of 80 out of 100, based on 13 critics.
RogerEbert.com concluded that "
We Were the Lucky Ones is a defiant and harrowing, soul shattering story—one that gives the full range of the horrors that occur when you've been displaced, unmoored, and dehumanized." Aramide Tinibu of
Variety also praised the series: "Spending extended time with each member of the Kurcs allows the viewer to get into their psyche while absorbing differing perspectives and opinions instead of a monolithic overview of Holocaust survivors." The Jewish parenting website
Kveller praised the series as "a visceral, touching, sweeping and profoundly human show, one of the best you'll see all year, and the Jewish representation in it is deeply thoughtful, perhaps more than any show I’ve ever seen." The
Boston Globe concluded: "So yes, the miniseries is challenging, and steeped in heartbreak, and unrelenting. But it joins a growing inventory of important, eye-opening, memorable, and timely TV takes on the Holocaust and World War II. Ultimately it is as rewarding as it is harrowing."
Accolades We Were the Lucky Ones was one of 200 television series that received
the ReFrame Stamp for the years 2023 to 2024. The stamp is awarded by the gender equity coalition
ReFrame and industry database
IMDbPro for film and television projects that are proven to have gender-balanced hiring, with stamps being awarded to projects that hire female-identifying people, especially women of color, in four out of eight key roles for their production. == References ==